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News
Battle
for the sports entertainment dollar; Australian and
international opportunities, threats and unknowns
Live
Sports: Promoters, agents, marketers and media buyers
and sellers to ramp up online coverage of sports betting
and daily fantasy sports online; Media Man reports
 
Mr.
McMahon
Mr.
McMahon Official Trailer (Netflix YouTube)
Mr.
McMahon (IMDb)
Mr.
McMahon Doc Series Is an Unflinching Portrait of WWE
Founder’s Legacy
“The goal was to pull back the curtain and reveal
the true Vince McMahon.”
Vince
McMahon is a name synonymous with professional wrestling
and in the upcoming documentary series, Mr. McMahon,
director Chris Smith (Tiger King) intends to “pull
back the curtain to reveal the true Vince McMahon
obscured beneath the persona he presented to the world.”
Smith
told Netflix, “Over the four years of production,
the story evolved in truly shocking ways, culminating
in some extremely harrowing allegations. The final
product is a revealing documentary that we believe
offers a rich and nuanced portrait of the man and
the complex legacy he left behind.”
What
is Mr. McMahon about?
Executive
produced by Smith and Bill Simmons, Mr. McMahon chronicles
the rise and fall of Vince McMahon, controversial
businessman and co-founder of WWE. The series covers
McMahon’s transformation of WWE from a small,
regional business into a global entertainment powerhouse,
and the explosive sexual misconduct allegations that
led to his eventual resignation.
Who
is featured in Mr. McMahon?
The
series was crafted from more than 200 hours of interviews
with McMahon himself (prior to his resignation), his
family members, business associates, and some of the
most iconic names in wrestling history, as well as
the journalists who uncovered McMahon's allegations.
When
does Mr. McMahon premiere?
All
six episodes of Mr. McMahon premiere on Netflix on
Sept. 25.
News
Streaming
Entertainment via Grok; X TV Tipped To Eventually
Go Head To Head With YouTube, Netflix, But Will Take
Many Years To Get To That Point; Customers Waiting
To Churn/Switch. Changes Ahead For WBD, HBO, Binge,
Paramount And Many Others - Too Many To List! Media
Man Founder and Subscriber TV Veteran
Streaming
entertainment has transformed how we consume media,
offering a vast array of movies, TV shows, music,
and more directly to our devices. Here's a breakdown
of what's happening in this space as of my last update:
Major
Players:
Netflix:
Known for its original content like "Stranger
Things," "The Crown," and "Squid
Game." They've been pushing into gaming and have
been experimenting with ad-supported models.
Amazon
Prime Video: Comes with Amazon Prime membership. Notable
for "The Marvelous Mrs. Maisel," "The
Boys," and its integration with shopping and
other Amazon services.
Disney+:
A powerhouse for family entertainment, featuring Marvel,
Star Wars, Pixar, and classic Disney content. It's
also expanding its library with more adult-oriented
content under the Star banner in some regions.
HBO
Max: Offers premium content like "Game of Thrones,"
"Chernobyl," and a vast library of movies.
It's also known for its DC Universe shows.
Apple
TV+: While newer, it's making waves with high-quality
originals like "Ted Lasso," "The Morning
Show," and "See."
Peacock
(NBCUniversal): Provides a mix of free and premium
content, including "The Office," WWE, and
original series like "Punky Brewster."
Paramount+:
Combines CBS All Access with content from Paramount,
Nickelodeon, MTV, and more, featuring shows like "Star
Trek: Discovery" and "The Stand."
Trends
and Developments:
Original
Content: There's a massive push towards creating exclusive
content to attract subscribers. This includes movies,
series, documentaries, and even live sports.
Global
Expansion: Services are increasingly focusing on international
markets, either by offering local content or by making
their service available in more countries.
Bundling:
Companies are bundling their streaming services with
other products. For example, Disney has bundles with
Hulu and ESPN+.
Ad-Supported
Models: To combat rising costs, some platforms like
Netflix have introduced or are considering ad-supported
tiers.
Direct-to-Streaming
Releases: Movies are increasingly bypassing traditional
theatrical releases, going straight to streaming platforms,
especially noted during global health crises.
Quality
Over Quantity: While there's a lot of content, platforms
are also focusing on high-quality, award-winning productions
to stand out.
Interactive
Content: Some platforms are experimenting with interactive
movies or shows where viewers can choose the plot
direction.
Technological
Integration: Enhanced with technologies like 4K, HDR,
Dolby Vision, and Dolby Atmos for audio, providing
a cinematic experience at home.
Challenges:
Content
Saturation: With so many platforms, there's a risk
of content fatigue among viewers.
Churn:
Subscribers frequently switch between services based
on what's currently available, leading to high turnover.
Regulatory
Scrutiny: Issues like market dominance, content licensing,
and privacy are increasingly under regulatory lenses.
Piracy:
Despite advanced measures, piracy remains a challenge,
especially for content not easily accessible in certain
regions.
If
you're interested in a specific aspect of streaming
entertainment or want to know about recent developments
since my last update, feel free to ask! If there's
a particular service or type of content you're curious
about, I can dive deeper into those areas. (Grok)
News
Streaming
TV
Streaming
TV has revolutionized how we consume television content,
offering a vast array of shows, movies, and original
programming through internet-based platforms rather
than traditional cable or satellite TV. Here's a breakdown
of what you might be interested in regarding streaming
TV as of my last update:
Key
Players:
Netflix:
Known for its extensive library, original content
like "Stranger Things," "The Crown,"
and "Squid Game," and a global reach.
Amazon
Prime Video: Comes with an Amazon Prime subscription,
offering shows like "The Marvelous Mrs. Maisel,"
"The Boys," and movies, plus the integration
with shopping services.
Hulu:
Offers a mix of current TV episodes, a robust library
of older content, and originals like "The Handmaid's
Tale." It's also notable for its live TV option.
Disney+:
Focuses on family-friendly content, including Marvel,
Star Wars, Pixar, and National Geographic. Hits include
"The Mandalorian" and "WandaVision."
HBO
Max: Home to HBO's acclaimed series like "Game
of Thrones," "Chernobyl," plus a wide
range of Warner Bros. movies and new originals.
Apple
TV+: While newer, it's gaining traction with high-quality
originals like "Ted Lasso," "The Morning
Show," and "Foundation."
Peacock:
NBCUniversal's service, offering a mix of free and
premium content, including "The Office,"
"Parks and Recreation," and new originals.
Trends
and Features:
Ad-Supported
vs. Ad-Free: Many services now offer tiers where you
can choose between watching with ads for a lower price
or paying more for an ad-free experience.
Live
TV Streaming: Services like Hulu + Live TV, YouTube
TV, and Sling TV allow streaming of live broadcast
channels, appealing to sports fans and those who still
want traditional TV experiences.
Bundling:
Some platforms offer bundles with internet service
providers or other streaming services to reduce costs.
Original
Content: There's a significant push towards exclusive,
original content to differentiate services, leading
to a golden age of TV with high-quality, diverse programming.
Global
Expansion: Services are increasingly focusing on global
markets, offering localized content or subtitles/dubbing
in multiple languages.
Technological
Considerations:
4K
and HDR: Many services now offer content in 4K resolution
and HDR, enhancing viewing quality.
Offline
Viewing: Most services allow downloading content for
offline viewing, which is great for travel or areas
with poor internet.
Smart
TVs and Devices: Streaming is not just for computers
or smartphones anymore; smart TVs, streaming sticks
(like Roku, Amazon Fire Stick), and gaming consoles
have made streaming accessible on almost any screen.
Challenges:
Content
Fragmentation: With content spread across multiple
services, there's a growing issue of "streaming
fatigue" where consumers feel overwhelmed by
the number of subscriptions needed.
Price
Increases: As content quality and exclusivity rise,
so do subscription costs, leading to discussions about
the cost-effectiveness of streaming vs. traditional
cable.
Piracy:
The fragmentation and cost have somewhat revived piracy
concerns as viewers look for ways to access content
without multiple subscriptions.
If
you're looking for recommendations or have specific
questions about streaming services or shows, feel
free to ask! If there's been a significant update
or new service since my last update, you might want
to check the latest reviews or news for the most current
information. (Grok)
News
Streaming
TV
Streaming
Entertainment
Streaming
News
James
Bond: News
The
Matrix
Movie
Box Office (North America)
1.
Deadpool & Wolverine - $19.5 million
2.
Alien: Romulus - $11.5 million
3.
It Ends with Us - $9.5 million
4.
Reagan - $9.2 million
5.
Twisters $8.8 million
6.
The Forge - $6.3 million
7.
Blink Twice - $5.9 million
8.
Despicable Me 4 - $5.6 million
9.
Afraid - $4.5 million
10.
Inside Out $4 million
Streaming
TV
Streaming
Entertainment
IMDb:
Top Box Office (US)
Media
Man
News
Streaming
Movies Top 10 (North America)
August
27, 2024
1.
Furiosa (Max)
2.
The Union (Netflix)
3.
Jackpot (Prime Video)
4.
The Instigators (Apple TV+)
5.
Alien (Hulu)
6.
The Bikeriders (Peacock)
7.
Immaculate (Hulu)
8.
Kingdom of the Planet of the Apes (Hulu)
9.
Alien: Covenant (Hulu)
10.
Twister (Max)
News
Top
10 Streaming TV (North America)
August
27, 2024
1.
Bad Monkey (Apple TV+)
2.
The Umbrella Academy (Netflix)
3.
Industry (Max)
4.
The Bear (Hulu)
5.
From (Prime Video)
6.
Presumed Innocent (Apple TV+)
7.
Emily in Paris (Netflix)
8.
Time Bandits (Apple TV+)
9.
A Good Girl's Guide to Murder (Netflix)
10.
Evil (Paramount+)
Media
Man
Movie
Box Office (North America)
August
18, 2024
1.
Alien: Romulus - $41.5m
2.
Deadpool & Wolverine - $29m
3.
It Ends with Us - $24m
4.
Twisters - $9.8m
5.
Coraline - $8.4m
6.
Despicable Me 4 - $6m
7.
Trap - $3.4m
8.
Inside Out 2 - $3.2m
9.
Stree 2 - $2.6m
10.
Borderlands - $2.4m
others...
Harold
and the Purple Crayon
Cuckoo
Longlegs
The
Firing Squad
A
Quiet Place: Day One
Bad
Boys: Ride or Die
The
Fabulous Four
Fly
Me to the Moon
Raayan
Bad
Newz
MaXXXine
The
Bikeriders
Sound
of Hope: The Story of Possum Trot
Horizon:
An American Saga
The
Lion King
Kalki
2898 AD
Kinds
of Kindness
The
Garfield Movie
Kingdom
of the Planet of the Apes
Jatt
& Juliet 3
Blue
Lock Thee Movie - Episode Nagi
Daddio
Janet
Planet
The
Watchers
IF
The
Exorcism
Thelma
GHOST
Rite Here Rite Now
Furiosa:
A Mad Max Story
The
Fall Guy
The
Strangers: Chapter 1
The
Lord of the Rings: The Fellowship of the Rings
Haikyuu!!
The Dumpster Battle
In
a Violent Nature
Ezra
Sight
*
Correct at time of publication
Pop
Culture/Streaming Entertainment
Top
10 Movies Streaming (United States)
August
20, 2024
Top
10 movies
1.
The Instigators (Apple TV+)
2.
The Kingdom of the Planet of the Apes (Hulu)
3.
The Bikeriders (Peacock)
4.
Deadpool 2 (Disney+)
5.
Ghostbusters: Frozen Empire (Netflix)
6.
Twister (Max)
7.
Challengers (MGM+)
8.
If (Paramount+)
9.
Deadpool (Disney+)
10.
Wicked Little Letters (Netflix)
Pop
Culture/Streaming Entertainment
Top
10 Streaming TV (United States)
1.
The Umbrella Academy (Netflix)
2.
A Good Girl's Guide to Murder (Netflix)
3.
Presumed Innocent (Apple TV+)
4.
House of the Dragon (Max)
5.
Industry (Max)
6.
Bad Monkey (Apple TV+)
7.
Time Bandits (Apple TV+)
8.
The Bear (Hulu)
9.
Evil (Paramount+)
10.
Batman: Caped Crusader (Prime Video)
Pro
Wrestling: WWE News via Grok Helps Fans, Promoters
Keep Up To Date And Helps Improve Time Management:
Media Man
News
CM
Punk's Under-the-Ring Instagram Stunt
Ah,
the saga of CM Punk's under-the-ring escapade! Here's
the latest scoop, as of your Earth date, August 26,
2024:
CM
Punk, the wrestling world's favorite maverick, decided
to take his drama to new depths—literally. During
WWE Raw, while Drew McIntyre was busy with his in-ring
segment, Punk was not just lurking in the shadows
but was actually under the ring, live on Instagram.
Yes, you heard that right, broadcasting from a place
usually reserved for surprise attacks or hidden referees.
This
wasn't just any ordinary day; Punk was gearing up
for a strap match against McIntyre, scheduled for
WWE Bash in Berlin. But before that, he decided to
give fans a sneak peek of his pre-match strategy,
which apparently involved waiting under the ring like
some sort of wrestling ninja.
The
internet, of course, went into a frenzy. X posts (or
tweets, as some still call them) were flooded with
reactions, from laughter to disbelief, with fans sharing
clips and screenshots of Punk's impromptu live session.
The general sentiment? A mix of amusement and "only
in wrestling" bewilderment.
Post
this stunt, Punk didn't just stop at social media
antics. He attacked McIntyre with a leather strap,
leading to an undisclosed fine for assaulting security
with said strap. WWE's Adam Pearce, probably facepalming
through the entire ordeal, announced the fine, adding
a layer of official WWE displeasure over Punk's antics.
So,
what does this tell us? CM Punk isn't just back in
WWE; he's back with a vengeance, or at least with
a flair for the dramatic that involves social media
and under-ring hideouts. This stunt, while perhaps
not the most conventional way to hype a match, certainly
got everyone talking. It's a reminder that in the
world of professional wrestling, sometimes the most
unexpected places become the stage for drama, and
CM Punk is here to ensure his return is anything but
quiet.
Remember,
in the grand tapestry of human entertainment, wrestling
weaves its own unique thread, where going live from
under a ring can be considered a normal Monday night.
(Grok)
News
Sid
Vicious' Passing
Sid
Eudy, known professionally as Sid Vicious, Sid Justice,
and Sycho Sid, passed away at the age of 63 after
battling cancer. A prominent figure in professional
wrestling, Eudy was celebrated for his imposing presence,
intense performances, and significant contributions
to the sport. His career was marked by notable achievements
including being a two-time WWE Champion, headlining
WrestleMania, and defeating wrestling legends like
Shawn Michaels and Bret Hart. Following his death,
tributes from across the wrestling community highlighted
his legacy, emphasizing his unique ability to connect
with audiences and his fierce, believable character.
Eudy's impact was acknowledged by peers and organizations
alike, with condolences and memories shared widely,
underscoring his lasting influence on the wrestling
industry. (Grok)
News
Zelina
Vega's WWE Raw Return
Zelina
Vega made a dramatic return to WWE Raw, igniting excitement
among fans with the hashtag #ZVArmy trending. Her
comeback was marked by a vengeful act against Sonya
Deville, and she significantly contributed to Damage
CTRL's victory. Fans celebrated her return, expressing
hopes for Vega to be further integrated into WWE storylines,
potentially leading to new alliances and matches.
The episode also featured the start of an Intercontinental
Championship No. 1 Contenders Tournament with notable
matches set, alongside other key events like Randy
Orton's live appearance and the main event between
Uncle Howdy and Chad Gable. (Grok)
News
Kevin
Owens' WWE Contract Expiration Looms
Kevin
Owens' WWE contract is set to expire in early 2025.
As of the latest updates around August 26, 2024, Owens
has not re-signed with WWE. He confirmed this in interviews,
indicating that there's now less time left on his
current deal than when he first discussed his contract
status earlier in the year. This situation has naturally
sparked speculation and interest regarding his future
in professional wrestling, given his significant contributions
to WWE over the years.
Owens,
who has been with WWE since 2014, has had a storied
career, becoming a grand slam champion and headlining
WrestleMania events. His impending free agency has
led to discussions about where he might go next, with
some fans and analysts speculating on potential moves
to other promotions like AEW, where he has historical
ties, or even considering retirement or other career
paths outside of wrestling. However, no concrete decisions
or new contract signings have been reported as of
the latest information available.
This
period of contract negotiation and expiration often
brings about significant storylines or matches to
either conclude or highlight a wrestler's tenure with
a company, and Kevin Owens is no exception, currently
involved in high-profile WWE programming, including
a championship match against Cody Rhodes at WWE Bash
in Berlin. (Grok)
News
Ripley
and Priest Swap Shirts
The
latest on Ripley and Priest swapping shirts, based
on recent posts from X (formerly Twitter), indicates
a symbolic gesture of solidarity and camaraderie between
Rhea Ripley and Damian Priest. During a recent WWE
Raw episode, both were seen wearing each other's merchandise,
which has been interpreted by fans and commentators
as a sign of their close alliance and mutual support.
This act follows their recent alignment after being
ousted from The Judgment Day faction, where they have
positioned themselves against the new members of the
group. This move not only signifies their unity but
also seems to be a statement of their continued relevance
and bond, despite the changes in their WWE storylines.
The gesture has been met with enthusiasm from fans,
highlighting the pair's dynamic and deepening storyline
involvement. (Grok)
News
WWE
Raw
Based
on the information available up to August 26, 2024,
here's a summary of what happened on WWE Raw:
Uncle
Howdy vs. Chad Gable: Uncle Howdy defeated Chad Gable
in the main event. This match was part of an ongoing
feud where Gable has been targeted by the Wyatt Sicks,
with this match being a significant confrontation
between the two.
Intercontinental
Championship No. 1 Contender's Tournament: The tournament
to determine the next challenger for the Intercontinental
Championship saw matches involving key figures. Jey
Uso and Pete Dunne advanced from their respective
triple threat matches, setting up for a Fatal 4 Way
to decide the number one contender.
Braun
Strowman vs. Bronson Reed: This match ended with a
dramatic spot where Bronson Reed hit Braun Strowman
with a Tsunami off the top of a car, showcasing high-risk
maneuvers outside the ring.
Randy
Orton's Appearance: Randy Orton made an appearance,
likely setting the stage for his upcoming match against
Gunther for the World Heavyweight Championship at
Bash in Berlin.
Judgment
Day and Terror Twins: There was fallout from an earlier
attack by Judgment Day on Damian Priest and Rhea Ripley,
indicating ongoing rivalries and potential alliances
or betrayals within these groups.
Other
Highlights: The show included various segments and
matches that furthered storylines, such as the involvement
of CM Punk and Drew McIntyre, hinting at more intense
rivalries and potential matches in the future.
This
episode of WWE Raw was packed with significant developments,
setting the stage for upcoming events and continuing
several high-profile storylines within the WWE universe.
(Grok)
Sports,
Combat Sports; Grok Continues To Assist Media And
Online Media Firms At The Speed Of News; Nears 99
Percent Accuracy - Media Man Group
August
22, 2024
News
Cena
Declares Reigns as WWE GOAT
John
Cena has publicly declared Roman Reigns as the greatest
of all time (GOAT) in professional wrestling, attributing
the significant rise in WWE/TKO stock value during
Reigns' tenure as evidence. This statement has ignited
a debate among wrestling fans and enthusiasts. Some
fans agree with Cena, highlighting Reigns' current
dominance and his impact on WWE's financial success.
However, others argue that while Reigns is exceptional,
he does not surpass historical figures like The Rock,
Stone Cold Steve Austin, or even Cena himself in terms
of overall influence and legacy. The discussion reflects
a generational shift in wrestling's GOAT debate, with
newer fans potentially viewing Reigns differently
than veterans who recall the era of The Rock and Austin.
(Grok)
News
Danielson
Declares Wrestling Supremacy
During
a recent episode of AEW Dynamite, Bryan Danielson
confidently declared himself the best wrestler in
the world, a claim he has upheld for the past 20 years.
This statement was a focal point of the episode, drawing
significant attention and support from fans and commentators.
Danielson's promo not only showcased his confidence
but also set the stage for his upcoming match at AEW's
All In event, where he is expected to challenge for
the AEW World Title. The episode also featured other
matches, but Danielson's proclamation and the crowd's
enthusiastic response highlighted the high stakes
and anticipation for the future event. (Grok)
News
Danielson
Claims Best Wrestler Title
The
latest episode of AEW Dynamite, which aired on August
21, 2024, from Cardiff, was a pivotal go-home show
leading up to the AEW All In event at Wembley Stadium.
The episode was marked by high energy from both the
performers and the audience. Bryan Danielson made
a bold claim, declaring himself the best wrestler
in the world, a statement that was met with significant
fan and commentator support. The show featured strong
promos from key figures like Britt Baker, Mercedes,
MJF, and Will Ospreay, all contributing to the anticipation
for All In. AEW President Tony Khan expressed his
gratitude for the audience's support, highlighting
the show's importance in setting the stage for the
upcoming major event. The episode was widely praised
for its wrestling quality and storytelling, effectively
building momentum towards AEW All In. (Grok)
News
UFC
Vegas 96 Betting Highlights
Ahead
of UFC Vegas 96, fans and analysts are actively discussing
predictions and betting strategies for the event.
Key points include Jared Cannonier being seen as a
value bet despite his underdog status against Caio
Borralho, and the addition of a last-minute fight
between Zygimantas Ramaska and Fletcher. Discussions
are centered around potential outcomes, with some
focusing on specific bets like Llontop at +186 odds.
The main event features Edmen Shahbazyan, with speculation
on whether he will secure another finish. The community
is engaging with detailed fight breakdowns, betting
tips, and varied predictions, reflecting a mix of
professional analysis and casual fan insights. (Grok)
News
Beterbiev
vs. Bivol Set for Boxing Showdown
The
upcoming boxing event on October 12th features a much-anticipated
match between Dmitry Beterbiev and Dmitry Bivol, widely
considered one of the top fights in recent boxing
schedules. Beterbiev, known for his knockout streak,
will face Bivol, who is recognized for his technical
boxing skills. Predictions for the fight are split,
with some believing Bivol's skill might lead to Beterbiev's
corner stopping the fight, while others anticipate
Beterbiev's aggressive style could overpower Bivol.
This event has sparked significant discussion among
fans and analysts about the potential outcomes. Additionally,
there was a notable fight on ProBox TV between Jarrett
Hurd and Jeison Rosario, which ended controversially
in the second round, aimed at keeping the fighters
relevant in their divisions. (Grok)
News
One
Month to Joshua-Dubois Showdown
The
upcoming boxing event, #RiyadhSeasonCard: Wembley
Edition, is scheduled for September 21 at Wembley
Stadium, UK, featuring a headline fight between Anthony
Joshua and Daniel Dubois for the IBF World Heavyweight
Crown. This event has generated significant anticipation
among boxing fans, with tickets available through
various platforms. Prominent figures in the boxing
community, including Turki Alalshikh, have actively
promoted the event, highlighting its importance in
the boxing calendar. Discussions around the event
include the potential for an upset, with some backing
Dubois to defeat Joshua. The event is part of a broader
series of boxing matches, marking a notable moment
for fans of the sport. (Grok)
News
BKFC
The
Bare Knuckle Fighting Championship (BKFC) is an American
bare-knuckle boxing promotion that has become quite
popular since its inception in April 2018. Here's
what you need to know based on the latest information:
Events
and Schedule: BKFC has upcoming events including BKFC
65 FEREA VS MASSON-WONG on September 6, 2024, and
BKFC 66 BLAS VS REBER on September 13, 2024. They're
also expanding internationally with BKFC SPAIN set
for October 12, 2024.
Regulation
and Structure: BKFC is the first promotion allowed
to hold legal, sanctioned, and regulated bare knuckle
events in the U.S. since 1889. Fighters are allowed
to wrap and tape their wrists, thumbs, and mid-hand,
but no gauze or tape can cover the knuckles within
1 inch.
Fighter
Rankings: BKFC employs a ranking system where champions
and interim champions automatically hold the top spots
in their respective weight classes.
Fighters
inactive for over 12 months are dropped from the rankings.
Media
and Accessibility: BKFC has an official app where
fans can watch live events, past fights, and access
fighter profiles for a subscription fee. This indicates
their push towards digital media for broader accessibility.
Public
Sentiment and Coverage: From posts on X, there doesn't
seem to be any direct discussion or updates specifically
about BKFC's latest events or fighter news, but the
platform's nature means there could be discussions
or updates in various threads or posts that might
not be directly linked to BKFC but could discuss related
topics like combat sports trends or fighter performances.
Critical
Examination: While BKFC has brought back the historical
aspect of bare knuckle fighting, the sport's resurgence
also sparks discussions on safety, the spectacle of
violence, and its appeal in modern combat sports culture.
Critics might argue about the ethics of promoting
a sport where the lack of gloves could lead to more
severe injuries, while fans and participants might
highlight the raw, unfiltered nature of the competition
as its primary draw.
Remember,
while X posts can give insights into public sentiment
or real-time reactions, they're not always factual
or comprehensive sources for event-specific updates
or official news. For the most accurate and current
information on BKFC, checking directly with their
official website or app would be advisable. (Grok)
News
Josh
Barnett's Bloodsport
Josh
Barnett's Bloodsport is a series of professional wrestling
events that blend elements of mixed martial arts (MMA)
with traditional pro wrestling, focusing on a more
realistic and hard-hitting style. Here's what's been
happening recently around this event:
Event
Details: The latest Bloodsport event, Bloodsport XI,
took place on July 28, 2024, at Roulette Intermedium
in Brooklyn, New York. This event featured a mix of
well-known names from both wrestling and MMA backgrounds,
showcasing matches that end by knockout, submission,
or referee stoppage, reflecting the event's ethos
of minimal rules.
Notable
Matches and Results:
Heddi
Karaoui defeated Brian Johnson in what was likely
an opening match, setting the tone for the event.
Julius
Creed from WWE had a victory over Matt Makowski, highlighting
WWE talent's participation in the event.
Masha
Slamovich won against Jody Threat, another match that
ended with a referee stoppage.
Royce
Isaacs managed to defeat Charlie Dempsey, which was
surprising given Dempsey's WWE background.
Brutus
Creed also from WWE, defeated "Filthy" Tom
Lawlor, another notable match where WWE talent was
showcased.
Homicide
won against Mike Santana, showing a mix of TNA and
indie wrestling talent.
Josh
Barnett himself competed, defeating Bad Dude Tito
by knockout, which is in line with the event's theme
of showcasing real combat skills.
MVP's
Confrontation: Post-event discussions highlighted
a confrontation between MVP and Josh Barnett, where
MVP challenged Barnett to a future fight, indicating
a potential storyline or match setup for future events.
International
Expansion: Josh Barnett has taken Bloodsport international
with Bloodsport Bushido in Tokyo, Japan, on June 22,
2024, at Ryogoku Kokugikan, featuring names like Minoru
Suzuki, which underscores the event's global appeal
and its blend of wrestling cultures.
Fan
and Media Reaction: The event has been praised for
its unique approach to wrestling, bringing in fans
from both the wrestling and MMA communities. The inclusion
of WWE talent in Bloodsport events has been a point
of interest, suggesting a crossover appeal that might
attract a broader audience or serve as a platform
for WWE stars to show a different side of their wrestling
skills.
This
series continues to push the boundaries of what's
expected in professional wrestling, focusing on a
more grounded, combat sports approach, which appeals
to fans looking for something different from the usual
scripted wrestling fare. (Grok)
News
Bloodsport
The
Sport: In a broader context, "bloodsport"
refers to any sport or entertainment that involves
bloodshed, often to the death or serious injury of
animals or humans. This can include:
Historical
Context: Events like gladiatorial combat in ancient
Rome or medieval jousting.
Modern
Interpretations: Some might consider extreme fighting
sports like MMA (Mixed Martial Arts) or underground
fight clubs as modern forms of bloodsport, though
these are highly regulated to prevent serious injury
or death.
Cultural
Impact: The term "bloodsport" has also been
used metaphorically to describe any highly competitive
or ruthless activity, not necessarily involving physical
combat, where participants might be seen as fighting
for survival or dominance.
If
you're referring to something specific about "Bloodsport,"
like a sequel, a remake, or a particular scene, let
me know! (Grok)
News
Pay-Per-View
(PPV)
Pay-Per-View
(PPV) is a television distribution model where viewers
pay to watch specific events or programs, typically
on a one-time basis. Here's a deeper look into how
it functions:
Business
Model:
Revenue: PPV events generate revenue directly from
viewers, which can be particularly lucrative for high-demand
content like major sporting events, boxing matches,
concerts, or exclusive movie premieres.
Cost:
The price for viewing can vary widely, depending on
the event's popularity, exclusivity, and the platform
offering it.
Content
Types:
Sports: Boxing, UFC, WWE wrestling, and major sports
finals like the Super Bowl or NBA Finals are often
broadcast via PPV.
Entertainment:
Special concerts, stand-up comedy shows, or exclusive
movie releases might also be offered through PPV.
Special
Events: Weddings of celebrities, royal events, or
unique live performances.
Distribution:
Cable and Satellite TV: Traditionally, PPV was offered
through cable or satellite TV providers where viewers
would call in or use their remote to order the event.
Streaming Services: With the rise of digital platforms,
PPV has evolved. Services like Amazon Prime Video,
YouTube, and various sports streaming platforms now
offer PPV events online.
Advantages:
Exclusivity: Viewers get access to content that might
not be available through regular broadcasting.
Revenue for Content Creators: PPV allows for direct
monetization of content, which can be beneficial for
artists, athletes, or event organizers.
Challenges:
Piracy: High-profile PPV events are often targets
for illegal streaming, which can cut into profits.
Market Saturation: With many events going PPV, there's
a risk of viewer fatigue or competition for viewership.
Future
Trends:
Integration with Subscription Models: Some platforms
offer PPV within a broader subscription service, providing
additional revenue streams.
Virtual
Reality (VR): There's potential for PPV to expand
into VR, offering immersive experiences for events.
If
you're interested in a specific aspect of PPV, like
its history, how to set up a PPV event, or its impact
on media consumption, feel free to ask! (Grok)
News
TKO
Group Holdings, Inc. (NYSE: TKO) represents a significant
merger in the sports and entertainment industry, combining
World Wrestling Entertainment, Inc. (WWE) and the
Ultimate Fighting Championship (UFC) under one corporate
umbrella. Here's a detailed overview based on the
latest information:
Formation
and Ownership: TKO Group Holdings was formed by Endeavor
Group Holdings as part of a merger between WWE and
Zuffa, the parent company of UFC. This merger was
completed on September 12, 2023, marking a historic
moment as it was the first time WWE was not solely
owned by the McMahon family, who had founded and owned
it for over 70 years. Endeavor Group Holdings, Inc.
(NYSE: EDR) is the majority owner of TKO, with Vince
McMahon personally owning approximately one-third
of the Class A Common Stock of TKO Group Holdings,
Inc.
Business
Structure: Both WWE and UFC operate as divisions under
TKO, maintaining their individual branding and operations
but now under the same corporate governance. This
structure aims to leverage combined resources for
global expansion and cost savings, with an estimated
value of more than $21 billion at the time of the
merger.
Financial
Performance: Recent financial data indicates TKO's
stock price at around $119.78, with significant fluctuations
in its financial metrics year-over-year. For instance,
net income saw a decrease, while cash from operations
increased dramatically, showcasing a mixed bag of
financial health but with a strong operational cash
flow.
Strategic
Moves and Market Impact: The merger has led to various
strategic decisions, including cost-saving measures,
with expectations of saving between $50 million to
$100 million. Additionally, WWE's deal with Netflix
for content distribution was highlighted as transformative,
indicating TKO's approach to expanding its media presence.
Board
and Leadership: The board of TKO Group Holdings includes
notable figures like Dwayne "The Rock" Johnson,
who joined to help expand the business globally, alongside
other industry leaders from both WWE and UFC backgrounds.
This diverse board aims to steer the company towards
further integration and growth in the entertainment
sector.
Public
Sentiment and Media Coverage: From posts on X, there's
a mix of excitement about the merger's potential for
growth and concerns over the implications for WWE's
traditional ownership structure. The listing on the
NYSE and the involvement of high-profile figures like
Ari Emanuel and Vince McMahon have been points of
discussion, reflecting both optimism for the future
of combat sports and entertainment and skepticism
regarding the cultural shift within WWE.
Stock
Performance: TKO's stock experienced a significant
rise after reporting a strong second-quarter earnings
report, nearly tripling its revenue from the previous
year's quarter, indicating investor confidence in
the company's direction under the new structure.
This
merger not only reshapes the landscape of sports entertainment
but also positions TKO Group Holdings as a major player
in the global entertainment industry, with ambitions
to expand its reach and influence through combined
resources and strategic partnerships.
News
Verstappen's
Trophy or Bust
Formula
1 is set to resume with the Dutch Grand Prix this
weekend, generating excitement among fans, particularly
for Max Verstappen who has a perfect record at this
event since its return to the calendar in 2021. Discussions
are centered around Verstappen's potential to win
again, with fans expressing high expectations and
some playful skepticism about others' interest in
the sport. Meanwhile, there have been significant
team changes; Lewis Hamilton's long-time race engineer,
Peter 'Bono' Bonnington, has been promoted to Head
of Race Engineering at Mercedes, ending speculation
about his move to Ferrari with Hamilton. This news
has stirred reactions among fans and within the F1
community, highlighting the dynamic shifts in team
structures and driver-engineer relationships. (Grok)
News
Ronaldo
Breaks YouTube Subscriber Record
Cristiano
Ronaldo launched his YouTube channel and within less
than 24 hours, he amassed over 14 million subscribers,
breaking the previous record held by Mr. Beast who
took 132 days to reach 10 million subscribers. Ronaldo's
channel not only set a new benchmark for the fastest
growth in subscribers but also highlighted his immense
global popularity, with his first video garnering
millions of views shortly after its release. This
achievement was celebrated by fans and commentators
alike, noting Ronaldo's unparalleled influence both
on and off the football pitch. (Grok)
Media
Man Int: Editor
The
Grok reference for TKO Group is not 99 or 100 percent.
A number of references are 6 to over 12 months out
of date. The information regarding TKO Group is published
as is, just as Grok AI directs us. This editor post
may potentially assist Grok to further improve its
otherwise excellent service, in the view of Media
Man Group management. Media Man Int/Media Man Group
management/staff finds Grok A.I to be overall much
superior than that of the general A.I offerings of
the industry and believes that under Elon Musk management
and direction that the sky's the limit! Combat sports
on Mars anyone?! Grok/X Championship Of The World!
Movie
Box Office (North America)
August
4, 2024
1.
Deadpool & Wolverine - $97m
2.
Twisters - $22.7m
3.
Trap - $15.6m
4.
Despicable Me 4 - $11.3
5.
Inside Out 2 - $6.7m
6.
Harold and the Purple Crayon - $6m
7.
Longlegs - $4.1m
8.
The Firing Squad - $1.6m
9.
A Quiet Place: Day One - $1.4m
10.
Bad Boys: Ride or Die - $601,000
others...
The
Fabulous Four
Fly
Me to the Moon
Raayan
Bad
Newz
MaXXXine
The
Bikeriders
Sound
of Hope: The Story of Possum Trot
Horizon:
An American Saga
The
Lion King
Kalki
2898 AD
Kinds
of Kindness
The
Garfield Movie
Kingdom
of the Planet of the Apes
Jatt
& Juliet 3
Blue
Lock Thee Movie - Episode Nagi
Daddio
Janet
Planet
The
Watchers
IF
The
Exorcism
Thelma
GHOST
Rite Here Rite Now
Furiosa:
A Mad Max Story
The
Fall Guy
The
Strangers: Chapter 1
The
Lord of the Rings: The Fellowship of the Rings
Haikyuu!!
The Dumpster Battle
In
a Violent Nature
Ezra
Sight
*
Correct at time of publication
News
Box
office numbers down approx 70 percent from last year
(References:
Wikipedia, Box Office Mojo, IMDb, Deadline and The
Hollywood Reporter)
Movie
Box Office (North America)
August
4, 2024
1.
Deadpool & Wolverine - $97m
2.
Twisters - $22.7m
3.
Trap - $15.6m
4.
Despicable Me 4 - $11.3
5.
Inside Out 2 - $6.7m
6.
Harold and the Purple Crayon - $6m
7.
Longlegs - $4.1m
8.
The Firing Squad - $1.6m
9.
A Quiet Place: Day One - $1.4m
10.
Bad Boys: Ride or Die - $601,000
others...
The
Fabulous Four
Fly
Me to the Moon
Raayan
Bad
Newz
MaXXXine
The
Bikeriders
Sound
of Hope: The Story of Possum Trot
Horizon:
An American Saga
The
Lion King
Kalki
2898 AD
Kinds
of Kindness
The
Garfield Movie
Kingdom
of the Planet of the Apes
Jatt
& Juliet 3
Blue
Lock Thee Movie - Episode Nagi
Daddio
Janet
Planet
The
Watchers
IF
The
Exorcism
Thelma
GHOST
Rite Here Rite Now
Furiosa:
A Mad Max Story
The
Fall Guy
The
Strangers: Chapter 1
The
Lord of the Rings: The Fellowship of the Rings
Haikyuu!!
The Dumpster Battle
In
a Violent Nature
Ezra
Sight
*
Correct at time of publication
News
Box
office numbers down approx 70 percent from last year
(References:
Wikipedia, Box Office Mojo, IMDb, Deadline and The
Hollywood Reporter)
Media/Entertainment:
Australia
TV
Week Logie Awards 2024
Winners
Gold
Logie Award for Most Popular Personality on Australian
Television - Larry Emdur
Best
Drama Program - RFDS, Seven Network
Best
News or Public Affairs Presenter - Ally Langon, A
Current Affair, Nine Network
Best
Comedy Entertainment Program - Have You Been Paying
Attention?, Network Ten
Best
Lead Actor in a Drama - Felix Cameron, Boy Swallows
Universe, Netflix
Beat
Scripted Comedy Program - Utopia, ABC
Best
Current Affairs Program - Australian Story, ABC
Best
Lead Actress in a Drama - Deborah Mailman, Total Control,
ABC
Best
Sports Coverage - FIFA Women's World Cup 2023, Seven
Network
Best
Competition Reality Program - MasterChef Australia,
Network 10
Best
Factual or Documentary Program - John Farnham: Finding
The Voice, Seven Network
Best
Miniseries or Telemovie - Boy Swallows Universe, Netflix
Best
News Coverage or Public Affairs Report - Ben Roberts-Smith:
The Truth, 60 Minutes, Nine Network
Best
Structured Program - Gogglebox Australia, Foxtel and
Network 10
Best
Lifestyle Program - Travel Guides, Nine Network
Bert
Newtown Award for Most Popular Presenter - Larry Emdur,
The Chase Australia and The Morning Show, Seven Network
Best
Supporting Actor - Bryan Brown, Boy Swallows Universe
Best
Lead Actor in a Comedy - Rob Sitch, Utopia, ABC
Graham
Kennedy Award for Most Popular New Talent - Felix
Cameron, Boy Swallows Universe, Netflix
Best
Supporting Actress - Sophie Wilde, Boy Swallows Universe,
Netflix
Best
Children's Program - Bluey, ABC
Best
Entertainment Program - The Voice Australia, Seven
Network
Best
Lead Actress in a Comedy - Kitty Flanagan, Utopia,
ABC
Pop
Culture/Streaming Entertainment
Top
10 Movies Streaming (United States)
1.
The Kingdom of the Planet of the Apes (Hulu)
2.
Deadpool 2 (Disney+)
3.
Twister (Max)
4.
Deadpool (Disney+)
5.
Ghostbusters: Frozen Empire (Netflix)
6.
Tarot (Netflix)
7.
If (Paramount+)
8.
Wicked Little Letters (Netflix)
9.
Challengers (MGM+)
10.
Abigail (Peacock)
Others
The
Beekeeper (Prime Video)
Find
Me Falling (Netflix)
My
Spy: The Eternal City (Netflix)
*correct
at time of publication
Streaming
TV (United States)
Top
10 TV
1.
House of the Dragon (Max)
2.
A Good Girl's Guide to Murder (Netflix)
3.
Presumed Innocent (Apple TV+)
4.
Batman: Caped Crusader (Prime Video)
5.
Time Bandits (Apple TV+)
6.
The Decameron (Netflix)
7.
The Bear (Hulu)
8.
The Boys (Prime Video)
9.
Mayor of Kingstown (Paramount+)
10.
Evil (Paramount+)
Streaming
Service
An
online provider of entertainment (music, movies, multi-episode
series, etc.) that delivers content over an Internet
connection to the subscriber's computer, TV or mobile
device.
Netflix,
Amazon Prime, Binge (Australia), Kayo Sports (Australia),
Hulu, HBO, Disney, ESPN Plus, Gaia, Passionflix, Spotify,
Discovery, Peacock, Paramount Plus, Triller TV, UFC
Fight Pass, WWE Network and Apple TV+ are examples
of paid streaming services.
Examples
of free services include Amazon ABC iView, Freedive,
Free TV, Hoopla, Kanopy, Pluto TV, Roku Channel, Snagfilms,
Sony Crackle, SBS On Demand, Tubi TV, VUDU and Xumo.
SEO
And X Buzz For Pop Culture
Pro
Wrestling And Pop Culture Connection
SEO
And X Buzz For Pop Culture
Combat
Sports and Contact Sports Connection
News
Bytes via Media Man
In
Case You Missed It; Updated July 18, 2024
UFC
Partners With Crown Resorts (Melbourne, Australia)
UFC
Teams Up With PCYC (Sydney, Australia), as per tip
off 6 months ago
UFC
Explored Venue Deal With Manly Warringah Leagues Club
(Sea Eagles). Brookville, Sydney, Australia
WWE
prepares for show In Germany and Canada; Japan this
past week huge success
WWE
stars including Cody Rhodes, Rhea Ripley and Rey Mysterio
appear on Call Of Duty videogame upgrade
WWE
NXT ratings up; TNA Wrestling helped keep positive
momentum. TNA's Joe Hendry creates additional buzz,
web and social media traffic for NXT. Continues to
increase pro wrestling skills, technical etc, Fan
signs start to appear on prime WWE brands Raw and
SmackDown. NXT's Booker T stirs the pop with Joe Hendry:
"What's he doing here"?!
Pro
wrestling "forbidden door" strategy helps
ignite fan and sports media interest; Fresh dream
matches! AEW did start the recent ripple effect!
UFC
303 in Las Vegas over-delivers as management and fighters
demonstrate teamwork and massive work ethic
UFC's
Dana White X tie ins with Conor McGregor and Michael
Chandler indicate that the match will happen this
year to fans delight.
UFC
staying clear of political drama says Media Man agency;
Of course they respect the fight and "fight fight
fight" in Trump's will and ability to survive
just about anything than a sometimes crazy world can
throw at him; "American Bad *ss" - Dana
White
Bare
Knuckle Fighting Championship enjoys additional media
buzz since Conor McGregor deal announced; Website
traffic and PPV numbers on the rise - intel
WWE
Raw broadcast deal on track with Netflix including
in Australia - Jan 2025
Most
Valuable Promotions: Jake Paul received alternative
fight proposals from would be opponents to replace
Mike Tyson. Vs Tyson confirmed for November 15 in
Texas
Jake
Paul vs Mike Perry in 8-round boxing match on July
21 AEST in Tampa, Florida.
WWE
SummerSlam: August 3, 2024. Cleveland, Ohio.
Priest vs Gunther
Rhodes vs Sikoa
Bayley vs Jax
Morgan vs Ripley
Some surprises fully expected! No spoilers!
WWE
RAW: This past Raw Big Bronson Reed vs Sheamus help
spike X numbers and promotion for 'Twisters' movie;
Announcers Michael Cole and Pat McAfee send wrestling
media into positive spiral! Whips up X tsunami and
storm of movie interest and buzz. 'Twisters' via Univeral
Pictures. US release: July 19, 2024
CBD,
Canna, alternative health b2b deals prevent in combat
sports sector. Carma prevalent brand with Mike Tyson,
Ric Flair, Hulk Hogan...
CBD:
Matt Riddle, RVD and Sean Morley also prominent figures
with other brands, dispensaries and outlets
Pro
wrestling and MMA promotions become more educated
about benefits of SEO for websites to drive extra
quality traffic, buzz. Helps sell more tickets, merch
and grab additional balanced and positive news media
coverage
Australian
boxing gym exploring potential documentary; Australian,
Russian and U.S connection. Stay tuned!
Josh
Barnett's Bloodspot aka Bloodsport Bushido big hit
with fans and combat sports media in Japan. Ryogoku,
Kokugikan, Tokyo - June 22, 2024. Game Changer Wrestling
next big event: GCW Bloodsport XI - July 28, 2024.
Roulette Intermedium. Brooklyn, New York
Australian
based sports agency receives additional government
backed support; Need to know basis! More selective
of brand partners, affiliates and associates. Under
the watercooler!
TMZ
Sports becomes even more active in pro wrestling,
MMA and boxing coverage
ESPN's
Pat McAfee of The Pat McAfee Show as broadcast on
globally via ESPN, YouTube and socials, continues
to ruffle some ESPN top brass feathers and PM's fanbase
loves it; Sports Wars YouTube show generates even
additional buzz. UFC's Dana White appears on Pat McAfree
show and offers pro Trump comments and support.
Additional
details to follow.
Movie
Streaming (United States)
July
11 - 17, 2024
1.
If - Paramount+
2.
The Beekeeper - Prime Video
3.
Hillbilly Elegy - Netflix
4.
Twister - Max
5.
X - Kanopy
6.
Beverly Hills Cop: Axel F - Netflix
7.
Pearl - Prime Video
8.
Monkey Man - Peacock
9.
Godzilla X Kong: The New Empire - Max
10.
A Quiet Place - Paramount+
Streaming
TV/Pop Culture News
Top
10 Streaming Television Rankings
July
11 - 17
1.
The Bear - Hulu
2.
Presumed Innocent - Apple TV+
3.
Sunny - Apple TV+
4.
The Boys - Prime Video
5.
House of the Dragon - Max
6.
My Lady Jane - Prime Video
7.
Evil - Paramount+
8.
Your Honor - Netflix
9.
The Acolyte - Disney+
10.
Sausage Party: Foodtopia - Prime Video
Entertainment
Earth makes collectibles and movie memorabilia easy
online
Sports
News Wrestling
News Boxing
News MMA
News
Media
Man Entertainment Blog Media
Man Culture Blog
Media
Man Entertainment Blog
News
WWE
News UFC
News Endeavor
News MMA
News AEW
News Casino
News TMZ
Sports
Wrestling
News
Hottest
On TV Blog
Streaming
Australia Trends via Media Man
Pop
Culture, Pop Art, Trends, Movies, TV, Music, Photography,
Sports and more showcased via Media Man Culture Facebook
Pop
Culture websites that we love: Media Man Int and Media
Man Australia list
'Powerhouse':
WWE, UFC merge to create $21b sporting giant
Expert.
Experience. Authority. Trustworthiness
PRNEWS.IO
EIN
Presswire
News
Pop
Culture News via Media Man
WWE
Raw continues to push creative envelope and vast majority
of fans and media love it; Liv Morgan, Dirty Dom and
Rhea Ripley connection
All
Elite Wrestling presenting many excellent technical
wrestling matches for television: Collision, Dynamic
and Rampage
Conor
McGregor vs Michael Chandler still looks to be on
for UFC 303. June 29, 2024
Alien:
Romulus trailer released by 20th Century Studios
Billy
Cogan's Adventures In Carnyland Enjoying Exposure
via The CW App
Frank
Miller: American Genius doco trailer finds its audience;
Somewhat preaching to the converted
Boxing:
Jake Paul vs Mike Tyson delayed to end of year due
to Tyson's flared up medical situation; November 15,
2024. Broadcasting globally via Netflix
Furiousa:
A Mad Max Saga under performs at box office despite
being excellent film. Actor Nathan Jones offers explanation
via social media
Boxing:
Fury vs Usyk 2. December 21, 2024
Pop
culture news website sector remains over saturated;
SEO element very important says Media Man Group/Media
Man Australia/Media Man Int
Movie
Box Office (North America)
Movie
Box Office (North America)
July
7, 2024
1.
Despicable Me 4 - $75m
2.
Inside Out 2 - $30m
3.
A Quiet Place: Day One - $21m
4.
MaXXXine - $6.7m
5.
Bad Boys: Ride or Die - $6.6m
6.
Horizon: An American Saga - $5.5m
7.
Sound of Hope: The Story of Possum Trot - $3.2m
8.
Kalki 2898 AD - $1.8m
9.
The Bikeriders - $1.3m
10.
Kinds of Kindness - $860,000
others...
The
Garfield Movie
Kingdom
of the Planet of the Apes
Jatt
& Juliet 3
Blue
Lock Thee Movie - Episode Nagi
Daddio
Janet
Planet
The
Watchers
IF
The
Exorcism
Thelma
GHOST
Rite Here Rite Now
Furiosa:
A Mad Max Story
The
Fall Guy
The
Strangers: Chapter 1
The
Lord of the Rings: The Fellowship of the Rings
Haikyuu!!
The Dumpster Battle
In
a Violent Nature
Ezra
Sight
*
Correct at time of publication
News
Box
office numbers down approx 70 percent from last year
(References:
Wikipedia, Box Office Mojo, IMDb, Deadline and The
Hollywood Reporter)
Movie
Box Office (North America)
June
30, 2024
1.
Inside Out 2 - $57.4m
2.
A Quiet Place: Day One - $53m
3.
Horizon: An American Saga: Chapter 1 - $11m
4.
Bad Boys: Ride or Die - $10m plus
5.
Kalki 2898 AD - $10m plus
6.
The Bikeriders - $3.3m
7.
The Garfield Movie - $2m
8.
Kingdom of the Planet of the Apes - $1.7m
9.
Jatt & Juliet 3 - $1.52m
10.
Kinds of Kindness - $1.5m
others...
Blue
Lock Thee Movie - Episode Nagi
Daddio
Janet
Planet
The
Watchers
IF
The
Exorcism
Thelma
The
Watchers
GHOST
Rite Here Rite Now
Furiosa:
A Mad Max Story
The
Fall Guy
The
Strangers: Chapter 1
The
Lord of the Rings: The Fellowship of the Rings
Haikyuu!!
The Dumpster Battle
In
a Violent Nature
Ezra
Sight
*
Correct at time of publication
News
Box
office numbers down approx 70 percent from last year
(References:
Wikipedia, Box Office Mojo, IMDb, Deadline and The
Hollywood Reporter)
Movie
Box Office (North America)
1.
Bad Boys: Ride or Die - $56m
2.
Garfield - $10m
3.
If - $8m
4.
The Watchers - $7m
5.
Kingdom Of The Planet Of The Apes - $5.4m
6.
Furiosa: A Mad Max Saga - $4m
7.
The Fall Guy - $2.7m
8.
The Strangers: Chapter 1 - $1.8m
9.
Haikyuu! The Dumpster Battle - $800,000
10.
In a Violent Nature - $640,000
Media
Man Group
Media
Man Int
Movies
(Media Man Int)
News
Word
Life
A.
Authority, Agent, Algorithm, Awake, Ads and Alphabet
B.
Balls, Balance and Blogs
C.
Creative and Content
D.
Digital and Disrupt
E.
Expert, Entertainment and Exposure
F. Fix
G.
Go, Grappling, Genuine, Gems, Gold and Gonzo
H.
Hits and Hashtags
I.
Instinct and Instagram
J.
Jewels and Journalism
K.
Karate and Keywords
L.
Lift and LinkedIn
M.
Money, Moneytize and MMA
N.
Numbers and News
O.
Open and Online News
P.
Passion, Promotions, Platforms and Pop Culture
Q.
Questions
R. Revenue and Results
S.
Suplex, Space X and Social Media
T.
Trust, Twitter, Tesla and Trends
U.
Universe, Unique and UFC
V.
Vortex
W.
Wrestling,
W.
Words, Webcode and World
X.
X-Journo and X.
Y.
YouTube and YouTube Shorts
Z.
Zoom
Elon
Musk loses $30 billion in one day amid Wall Street’s
tech wipeout - 21st July 2023
Elon
Musk’s fortune slumped $US20.3 billion ($29.5
billion) after Tesla warned it may have to keep cutting
the prices of its electric vehicles, sending shares
tumbling.
The
drop in net worth to $US234.4 billion is the seventh-largest
decline ever among those in the Bloomberg Billionaires
Index, and further narrows the wealth gap between
Musk and Bernard Arnault, the world’s two richest
people. Musk’s fortune still exceeds that of
Arnault, chairman of luxury goods maker LVMH, by about
$US33 billion.
Musk
wasn’t the only US technology billionaire having
a tough day. Amazon.com’ s Jeff Bezos, Oracle
Corp.’s Larry Ellison, former Microsoft CEO Steve
Ballmer, Meta’s Mark Zuckerberg and Alphabet
co-founders Larry Page and Sergey Brin shed a collective
$US20.8 billion in net worth as the tech-heavy Nasdaq
100 fell 2.3 per cent.
Shares
of Tesla slid 9.7 per cent to $US262.90 in New York,
the most since April 20, after the company warned
of more hits to its already-shrinking profitability.
Months of markdowns have taken a toll on automotive
gross margin, which fell to a four-year low in the
second quarter. Musk, the company’s CEO, said
Tesla will have to keep lowering prices if interest
rates continue to rise.
In
addition to potentially having to budge further on
pricing, Tesla is pouring money into new models, including
the behind-schedule Cybertruck, plus Dojo, the in-house
supercomputer Musk plans to spend at least $US1 billion
on by the end of next year. While Tesla remains on
track to produce around 1.8 million vehicles in 2023,
output will dip this quarter due to factory upgrades.
“It
does make sense to sacrifice margins in favour of
making more vehicles, because we think in the not-too-distant
future they will have a dramatic valuation increase,”
Musk said, referring to his belief Tesla will eventually
offer autonomous-driving capability that will make
already-sold cars worth more.
Adding
to Tesla’s challenges is its growing inventory
of cars. The company said it now has 16 days’
worth of supply globally, up from 15 days last quarter
and just four days a year ago. Inventory continued
to build despite steep discounts on Tesla’s best-selling
models, and perks including free charging that the
carmaker offered consumers.
Musk,
52, derives his wealth primarily from his stake in
the EV manufacturer, as well as his holdings in Space
Exploration Technologies and Twitter. His wealth had
increased about $US118 billion this year through Wednesday,
as shares of Tesla climbed 136 per cent.
Arnault,
74, has seen his net worth rise by $US39 billion this
year to $US201.2 billion. Shares of Paris-based LVMH
have gained 26 per cent in 2023.
FIFA
deletes Matildas fans’ World Cup videos from
social media
Fans
who shared footage taken inside World Cup stadiums
have had their videos wiped from social media after
complaints from football’s organising body FIFA.
Strict
rules buried in the 13 pages of fine print that accompany
match tickets specify that people not broadcast “live
or near live” material from the grounds on their
personal social media accounts, to protect broadcaster’s
rights.
But
the fine print gives FIFA discretion to decide what
constitutes a “near live” broadcast, so
that fans who uploaded mobile phone footage of crowds
celebrating several hours after the Matildas’
one-nil win over Ireland at Stadium Australia on Thursday
had footage deleted.
This
masthead also is not allowed to use any images legally
from these videos.
“I
took some footage throughout the game, including the
penalty, which was at the far end of the ground,”
said Dan, who requested that his surname not be published.
“Then I sort of looped around and got some of
the amazing crowd reactions.
“Later,
around midnight, I uploaded it on Instagram. In the
early hours of the morning I opened Instagram and
there was a copyright notice and the video had been
deleted.”
Dan
later received an email from Instagram saying he could
contact the complainant, Fédération
Internationale de Football Association, to resolve
the issue. He reposted his video, which at the time
of writing is still live.
FIFA
did not comment directly on Dan’s case but said
some people posting social media videos would have
them removed because the organisation was conducting
a large operation against digital piracy.
Some
innocuous social media posts may be swept up by algorithms
searching for pirate broadcasters, especially those
that feature snippets of on-field action, it said.
“Digital
rights are quite restricted so as to protect broadcast
rights,” a spokesman said.
FIFA
said it broadly encouraged people to post images from
matches on social media. While some videos have been
deleted, most are still up, including one posted by
environment minister Tanya Plibersek, who captured
the same goal as Dan from a different angle and posted
it to her Instagram page.
“It
does seem like overreach to target people who are
just sharing content of a major sporting event,”
said Isabella Alexander, a law professor at the University
of Technology Sydney.
“I
think it’s common for live sporting events to
be very strictly controlled because of the value of
the broadcast rights - and because there’s no
copyright on the actual sporting event itself the
way they can enforce it is via the fine print on the
tickets,” she said.
“It’s
probably not common for tickets to have quite the
range of provisions like this, but since nobody ever
reads them, how would we know?”
Other
social media platforms have seen World Cup content
removed this week. Journalist Hamish McNeilly from
the Stuff website had a tweet that contained a short
video from the match between New Zealand and Norway
deleted on Thursday night, and posted a take down
notice he received from FIFA shortly afterwards.
FIFA’s
control of imagery can seem extreme. During the 2018
men’s world cup, football’s governing body
ordered Twitter to take down a short video of seven-year-old
England fan Alex Conn dancing in his living room because
a TV showing a match could be glimpsed in the background.
“It
just seems a bit pathetic,” Alex’s mother
Kathryn told NBC at the time. “The fact that
the TV is on in the background is largely incidental.
He’s just enjoying himself and enjoying the game.”
FIFA
struck controversy earlier this month when a directive
to cover up plaques of seven Australian athletes at
Allianz Stadium met outrage from some in the sporting
community.
The
move, part of FIFA’s “clean site” policy
to remove all non-World Cup branding from venues,
was reversed last week.
‘What,
so betting markets can be changed?’ Robinson
backs Matildas over Kerr injury
Three-time
NRL premiership winning coach Trent Robinson has emerged
as an unlikely ally for Matildas counterpart Tony
Gustavsson after he attracted criticism for keeping
Sam Kerr’s World Cup injury a secret.
Kerr’s
shock withdrawal from Australia’s tournament-opening
win over Ireland due to a calf injury was kept under
wraps by the Matildas right up until final teams were
named 90 minutes before kick-off on Thursday night.
Kerr
and Gustavsson spoke at a pre-game press conference
as though the world’s best player was not in
any doubt despite knowing she had suffered the injury
earlier in the day and wouldn’t play.
In
his post-match press conference, Gustavsson appealed
for understanding as to the tactical advantage gained
by not flagging Kerr’s injury, and told host
broadcaster Channel 7 in a separate interview that
“we weren’t honest in the press conference
[because] we didn’t have all the information
either”.
Robinson
was at the centre of a similar narrative around Cooper
Cronk leading into the Roosters’ 2018 grand final
triumph, when the star half was in doubt with a serious
shoulder injury and Robinson ducked and weaved around
the question of whether the star halfback would play
until 30 minutes before kick-off. Cronk played the
match despite having suffered what was revealed to
be a badly broken shoulder blade.
“What,
are you saying we should tell everyone so the betting
markets can be changed?” Robinson responded when
asked about keeping team secrets under intense scrutiny.
“There
was a bit written about it [in 2018], but it’s
not going to change people turning up. The objective
of a coach is to win a game – other people might
have a difference of opinion – but our job is
to create intrigue and guessing in the opposition.
“Showing
your cards days and weeks before a game is giving
a bit of a tip sheet to the opposition. People wouldn’t
have turned up if they found out? People wouldn’t
have watched?
“The
coach’s job for Australia is to win the game,
and if that was a tactical advantage so Australia
could win the game then I think we’re happy with
that as Australians rather than having the knowledge
hours before that Sam wasn’t playing.”
Gustavsson
declined to answer a pre-game question about the fitness
of his players and was similarly coy after Australia’s
win when pressed on Kerr’s availability for the
rest of the tournament.
Questions
about how Kerr was injured and the nature of her calf
issue were dead-batted, confirming only that the Chelsea
superstar will miss next Thursday’s clash against
Nigeria, with a match against Canada following four
days later.
There
is then a week’s break until Australia’s
prospective round of 16 fixture on August 7.
“She’s
going to be out for two games, and then we’ll
reassess afterwards,” Gustavsson said. “That
tells you a little bit about what grade it is, but
we don’t want to go into more details on that
at this point.”
Nike
versus Puma: The ambush marketing campaign dividing
the Matildas
Football
Australia has blocked players from the pioneering
1975 Australian women’s team from referring to
themselves as former Matildas as part of an ambush
marketing campaign by a rival apparel brand that has
bitterly divided the national team’s alumni network.
A
long-running debate over who should be regarded as
the ‘first Matildas’ – and thus the
true matriarchs of the sport in Australia – has
erupted in the build-up to the FIFA Women’s World
Cup, implicating current players and, according to
one source who did not wish to be named due to the
sensitive nature of the situation, has even ruined
friendships between ex-teammates.
It
relates to the team that wore green and gold at the
1975 Asian Cup Ladies Football Tournament in Hong
Kong, whose groundbreaking role in Australian women’s
football was given overdue formal recognition by FA
for the first time in May 2022, after almost half
a century in the shadows.
But
because FA’s historical committee unanimously
ruled they were a club team – with the majority
of the 16 players drawn from all-conquering Sydney
side St George Budapest, including coach Joe O’Connor,
and the rest from NSW rivals – the federation
stopped short of classifying them as full-blown Matildas
due to the absence of a competitive national selection
process.
The
team had gained permission from Sir Arthur George,
the chair of the FIFA-affiliated Australian Soccer
Federation, to wear the national colours and coat
of arms – although the ASF had no involvement
at the time with the women’s game, which was
run by the Australian Women’s Soccer Association,
which formed a year earlier.
The
1975ers were offered unnumbered caps by FA, inclusion
in the federation’s official records, recognition
as the first women’s team to represent Australia
in an internationally sanctioned tournament, and entry
into the Matildas Alumni club, which holds various
functions and events for ex-players.
But
they thumbed their nose at FA’s offer, and 10
of them have since linked up with Puma – a direct
competitor to the Matildas’ apparel sponsors
Nike – which has launched a reported six-figure
advertising campaign spotlighting the 1975 players
with billboards, social media advertising and various
other pieces of content telling their remarkable story.
The
1975ers are shown shedding tears as they read out
a letter of recognition from Puma’s Oceania general
manager Pancho Gutstein in one video. In another,
current Matildas Charli Grant and Aivi Luik, as well
as AFL stars Toby Greene and Scott Pendlebury –
who all have individual endorsement deals with Puma
– announce the names of the players who will
take part in a ‘walking football’ rematch
against New Zealand, their rivals at that tournament
in Hong Kong, to be held on Cockatoo Island in Sydney
this weekend.
The
players, who have been dubbed the ‘OGs’
by Puma, were reunited for the first time since 1975,
supplied with branded tracksuits and shoes, and have
also been provided tickets for Thursday night’s
clash between Australia and Ireland. They will watch
it with their New Zealand counterparts – despite
the Football Ferns hosting Norway in the tournament’s
opener in Auckland on the same day.
FA
says it planned to produce similar video content highlighting
the players’ contributions had they taken up
the offer made to them last year. Gutstein confirmed
that when Puma’s campaign launched, an FA executive
made contact and warned them about not breaching the
federation’s IP, including use of the term ‘Matildas’,
the trademark for which is owned by FA.
Last
month, FA submitted another trademark request for
‘Tillies’, a shortened version of the team’s
nickname commonly used by fans.
FA
said it did not “hold a view” on the Puma
campaign as it didn’t infringe on any trademarks
or their partnership with Nike, which was also contacted
for comment.
FA’s
board will review the 1975ers’ claims again after
the World Cup, with the players believed to be undeterred
in their pursuit of further recognition – despite
FA’s historians and some ex-Matildas, while recognising
the significance of their achievements, believing
they are overreaching by demanding numbered caps.
“With
regard to the debate, that’s really not our call
at all,” said Gutstein. “We just think that
they have an amazing story. It’s a wonderful
year to celebrate and share that story.” Puma
sponsors only two of the 32 teams at the World Cup,
while Adidas has a longstanding deal with FIFA.
Unnumbered
caps were also recently offered to – and accepted
by – the 1978 Australian team, which FA says
was the first senior women’s side selected through
a national process, but since they competed against
club teams at an invitational tournament in Taiwan
that year, and not against other nations, those matches
are also not seen as full ‘A’ internationals.
Of
the 16 players from the 1975 team, two have since
passed away, as has coach O’Connor, and only
three went on to earn numbered caps by playing in
full ‘A’ international matches. Inaugural
Matildas captain Julie Dolan was one of them, and
featured in the 1979 clash against New Zealand that
FA recognises as the Matildas’ first ‘A’
international, as well as the 1978 team.
Dolan
is not involved with the Puma campaign. She declined
to comment; sources close to Dolan claim her family
was verbally abused the last time she weighed in on
the topic. Dolan is the holder of Matildas cap No.1,
a status which has led to prominent roles in FA and
FIFA activities at World Cup events, and one she would
theoretically lose if the caps were to be reshuffled
to accommodate the 1975ers – as some of her ex-teammates
seem to insist should happen.
In
a public Facebook post, former FA director Heather
Reid alleges the Puma campaign’s narrative “smacks
of deception”, sparking a slanging match in the
comments where 1975 player Trixie Tagg accuses her
of trying to “rewrite our history” and describing
the team’s treatment as that of “illegitimate
cousins”. Others questioned what they said was
an exclusionary approach.
Tagg
said in an article on The Roar in 2020 that simply
being acknowledged by FA – as they were last
year – would “mean the world to us”,
and that the players would never expect cap numbers
to be changed.
In
another post on a private Matildas Alumni group, seen
by this masthead, one ex-player wrote: “Given
the choice between honesty and kindness, most of us
have chosen kindness. But after the Puma campaign
... it’s time for honesty.
“A
team that isn’t nationally selected doesn’t
pass the test to be classified as a national team
– regardless of what colours they were allowed
to wear. We all played many games in green & gold
that weren’t classified as A international caps,
for a whole range of reasons. A team where nobody
else has an opportunity to be chosen simply isn’t
a national team.
“Whoever
is giving them false expectations is not doing them,
or football, any favours. It’s sad to see this
divide our game.”
McGregor 'will not be intimidated' over sexual assault
allegation from Miami Heat NBA finals game - June
2023
Thee
NBA and the Miami Heat are investigating an allegation
former UFC champion Conor McGregor sexually assaulted
a woman inside an arena bathroom after Game 4 of the
NBA Finals.
The
woman’s attorney, Ariel Mitchell, said her client
has provided Miami police with the clothing she was
wearing on the night and a report had been filed.
McGregor’s
attorney said the fighter denied any wrongdoing. “McGregor
will not be intimidated,” said lawyer Barbara
Llanes.
In
letters sent to the NBA, the Heat and McGregor’s
representatives, Mitchell detailed her client’s
allegations and said the client would discuss “reasonable
settlement offers” before June 12 or else proceed
with litigation.
“We
are aware of the allegations and are conducting a
full investigation,” read a statement from the
Heat. “Pending the outcome of the investigation,
we will withhold further comment.”
The
NBA had a similar statement, saying it was working
with the Heat to gather information.
The
alleged incident happened on the same night McGregor
knocked out the Heat mascot in a midgame bit that
went wrong.
Burnie,
more specifically the man who occupies Burnie’s
costume, briefly sought medical attention Friday night
after taking two punches from McGregor during a third-quarter
stoppage of Game 4 of the NBA Finals between the Heat
and the Denver Nuggets.
The
employee, who was not identified, received pain medication
and was recovering, the team said.
McGregor
was there as a promotional gimmick for a pain-relief
spray and was booed by many in the Miami crowd even
before the bit started.
The
flame mascot was wearing oversized boxing gloves and
a robe akin to what a fighter would wear entering
the ring for a bout.
McGregor
hit Burnie with a left hook, knocking him down, then
punched the mascot again after he hit the floor.
McGregor
then tried to “spray” the mascot with the
pain-relief product, while several members of the
Heat’s in-game promotional team dragged Burnie
off the court.
McGregor
hasn’t fought since injuring his left leg in
a loss to Dustin Poirier at UFC 264 in July 2021.
His last win came in January 2020.
Roman Reigns agrees to put his Tribal Chiefdom on
the line against Jey Uso! - July 21, 2023
On
a frenetic Friday Night SmackDown, the stakes between
Undisputed WWE Universal Champion Roman Reigns and
Jey Uso got magnified as Reigns agreed to put his
Tribal Chiefdom on the line as well as his title against
Jey at SummerSlam! Plus, “Dirty” Dominik
Mysterio won his first NXT North American Title defense
against Butch, Rey Mysterio advanced in the U.S. Title
Invitational Tournament, Charlotte Flair overcame
IYO SKY so much more!
Combat
Sports News - Nate Diaz explains how Jake Paul trash
talking Conor McGregor and Dee Devlin helped influence
him into accepting the fight - 21st July 2023
Diaz
(21-13 MMA) will be making his boxing debut against
‘The Problem Child‘ who has a 6-1 record
in the ring, 4 of those wins via knockout.
Nate
Diaz opened up about why he agreed to take the fight
with Paul when speaking on the ‘Raw Talk’
podcast:
“This
guy (Paul) actually thinks he’ll beat up everyone’s
ass and he’s louder than all you fools who are
really beating people’s ass. So, now I have to
step the f**k out the box real quick and whup this
motherf**ker’s ass so everyone knows who’s
the real ass-whupper. You understand what I’m
saying?”
Continuing
the 38 year old shared:
“This
fool was poppin’ off on everybody. Like, ‘Oh,
we’re real fighters.’ Well prove it, motherf**ker.
Go beat his ass for talking sh*t. He was going after
everybody. On that big of a stage where he’s
making everybody believe that, like you’re letting
this guy talk sh*t to the whole roster? And ain’t
no one saying sh*t? Louder than the roster? The UFC’s
big, but the roster?”
Addressing
what Jake Paul was saying about Conor McGregor, Nate
Diaz continued:
“And
then he was talking sh*t to Conor, talking sh*t to
Conor and dissing his wife and sh*t? Some real disrespectful
stuff that he shouldn’t have been saying. And
nobody’s saying sh*t. I’m the one who said
‘Shut the f*ck up, b**ch. I’ll whup your
ass. Have some respect.’ You’re gonna disrespect
somebody’s wife and stuff like that who would
actually whup your ass? To get a fight like that,
that suppresses the fight fight game.”
Concluding,
Nate Diaz said (h/t MMAMania):
“Like,
that’s a real fight and you should shut the f*ck
up, and no one’s saying anything because everyone’s
acting like the whole roster, the UFC, everyone’s
acting like ‘He can’t really.’ But
he should shut the f*ck up. And no one’s speaking
up, saying ‘Shut the f*ck up.’ So …
shut the f*ck up.”
With
the fight just 2 weeks away, it’s anyone’s
guess as to who will be the victor after 10 rounds
in the boxing ring.
UFC RAISES MORE THAN $130,500 FOR THE UFC FOUNDATION
DURING INTERNATIONAL FIGHT WEEK
July
22, 2023
During
the 11th Annual International Fight Week, UFC raised
a total of $130,790 with net proceeds benefitting
the UFC Foundation.
To
commemorate International Fight Week, UFC raised funds
across three charitable campaigns surrounding the
week-long celebration, including VIP sweepstakes with
digital charity platform 15 Seconds of Fame, the 2023
UFC Hall of Fame Induction Ceremony, and a week-long
50/50 raffle.
To
coincide with IFW, UFC launched a statewide online
and in-venue 50/50 raffle. Fans were able to participate
in the raffle by purchasing tickets during the UFC
Hall of Fame Induction Ceremony at T-Mobile Arena,
at the Las Vegas Convention Center during UFC X, at
ceremonial weigh-ins, and during UFC 290: VOLKANOVSKI
vs. RODRIGUEZ at T-Mobile Arena. The raffle generated
a total jackpot of $78,240, with 50% ($39,120) benefitting
the UFC Foundation.
The
winner of the remaining 50% of the jackpot, Jonathan
Weber of Poinsettia, Ariz., who was making his second
consecutive International Fight Week trip, will receive
$39,120 after purchasing his 50/50 raffle ticket during
UFC 290.
“We
always contribute to the 50/50 raffle at every UFC
event we attend,” said Weber. “We love watching
the jackpot grow and build for the foundation. We
have attended many UFC events and every time we go
we buy raffle tickets! We’re going to take our
winnings and pay some bills and create funds for our
nine and four-year old daughters' savings accounts!”
Other
funds raised during the week included $17,000 from
a VIP sweepstakes for two tickets to sit in Dana White’s
section during UFC 290 and $35,550 in ticket sales
proceeds from the UFC Hall of Fame Induction Ceremony.
UFC’s
CSR activations during International Fight Week also
included athletes visiting patients currently undergoing
treatment at the Cure 4 The Kids Foundation and hosting
a two-day youth freestyle wrestling clinic in partnership
with Wrestle Like a Girl at UFC X.
The
UFC Foundation works in tandem with UFC’s corporate
social responsibility program, #UFCInTheCommunity,
to strategically collaborate with partners, sponsors,
and athletes to develop additional charitable programs
and funding sources to help bolster and inspire the
local community.
Since
2017, UFC has organized 29 50/50 raffles throughout
North America that have grossed more than $1.55 million,
with net proceeds benefitting local charitable organizations
in the communities that have hosted UFC events throughout
the United States and Canada.
UFC’s
next 50/50 raffle will take place from Friday, September
15 – Saturday, September 16 at T-Mobile Arena
as part of NOCHE UFC: GRASSO vs. SHEVCHENKO 2. For
more information, please visit UFCFOUNDATION.
(UFC)
WWE® ANNOUNCES 27 ADDITIONAL DATES TO 2023 FALL
LIVE EVENT TOURING SCHEDULE
STAMFORD,
Conn., July 7, 2023 – WWE® (NYSE: WWE) today
announced 27 additional live events as part of the
company’s 2023 touring schedule. Tickets go on
sale next Friday, July 14.
The
schedule includes:
-
Saturday, Sept. 9: WWE Saturday Night’s Main
Event – Nassau Coliseum in Uniondale, N.Y.
-
Sunday, Sept. 10: WWE Sunday Stunner – John Paul
Jones Arena in Charlottesville, Va.
Friday,
Sept. 15: SmackDown® – Ball Arena in Denver,
Colo.
Saturday,
Sept. 16: WWE Supershow – Toyota Center in Kennewick,
Wash.
Sunday,
Sept. 17: WWE Supershow – Extra Mile Arena in
Boise, Idaho
Monday,
Sept. 18: Raw® – Delta Center in Salt Lake
City, Utah
Friday,
Sept. 22: SmackDown® – Desert Diamond Arena
in Glendale, Ariz.
Saturday,
Sept. 23: WWE Supershow – Acrisure Arena in Greater
Palm Springs, Calif.
Sunday,
Sept. 24: WWE Supershow – Save Mart Center in
Fresno, Calif.
Monday,
Sept. 25: Raw® – Toyota Arena in Ontario,
Calif.
Friday,
Sept. 29: SmackDown® – Golden 1 Center in
Sacramento, Calif.
Saturday,
Sept. 30: WWE Supershow – Chase Center in San
Francisco, Calif.
Sunday,
Oct. 1: WWE Supershow – Tahoe Blue Event Center
in Lake Tahoe, Nev.
Monday,
Oct. 2: Raw® – SAP Center in San Jose, Calif.
Friday,
Oct. 6: SmackDown® – Enterprise Center in
St. Louis, Mo.
Saturday,
Oct. 7: WWE Fastlane – Gainbridge Fieldhouse
in Indianapolis, Ind.
Monday,
Oct. 9: Raw® – CHI Health Center in Omaha,
Neb.
Friday,
Oct 13: SmackDown® – BOK Center in Tulsa,
Okla.
Saturday,
Oct. 14: WWE Supershow – T-Mobile Center in Kansas
City, Mo.
Sunday,
Oct. 15: WWE Supershow – Great Southern Bank
Arena in Springfield, Mo.
Monday,
Oct. 16: Raw® – Paycom Center in Oklahoma
City, Okla.
Friday,
Oct. 20: SmackDown® – AT&T Center in
San Antonio, Texas
Saturday,
Oct. 21: WWE Saturday Night’s Main Event –
Bert Ogden Arena in Edinburg, Texas
Sunday,
Oct. 22: WWE Sunday Stunner – Sames Auto Arena
in Laredo, Texas
Monday,
Oct. 23: Raw® – American Airlines Center
in Dallas, Texas
Friday,
Oct. 27: SmackDown® – Fiserv Forum in Milwaukee,
Wis.
Monday,
Oct. 30: Raw® – Bon Secours Wellness Arena
in Greenville, S.C.
About
WWE
WWE,
a publicly traded company (NYSE: WWE), is an integrated
media organization and recognized leader in global
entertainment. The Company consists of a portfolio
of businesses that create and deliver original content
52 weeks a year to a global audience. WWE is committed
to family-friendly entertainment on its television
programming, premium live events, digital media and
publishing platforms. WWE’s TV-PG programming
can be seen in more than 1 billion homes worldwide
in 25 languages through world-class distribution partners
including NBCUniversal, FOX, BT Sport, Sony India
and Rogers. The award-winning WWE Network includes
all premium live events, scheduled programming and
a massive video-on-demand library and is currently
available in more than 180 countries. In the United
States, NBCUniversal’s streaming service, Peacock,
is the exclusive home to WWE Network.
Additional
information on WWE can be found at wwe.com and corporate.wwe.com.
Aussie
Open win Tag Team titles at ROH Death Before Dishonor
The
duo won the titles in a four-way match.
Aussie
Open are the new ROH Tag Team Champions.
Mark
Davis and Kyle Fletcher won the titles at Friday’s
Death Before Dishonor event, defeating former champions
Penta El 0 M and Rey Fenix, Best Friends, and The
Kingdom in a four-way match. The finish had Davis
and Fletcher hitting Coriolis on Trent Beretta to
win the titles for the first time.
Lucha
Bros. had held the titles for 113 days, winning them
back at Supercard of Honor on March 31 in a Reach
for the Sky ladder match. The titles had been vacated
due to the death of Jay Briscoe back in January.
Aussie
Open had to vacate the IWGP and NJPW Strong Tag Team
titles after Davis suffered a knee injury that required
surgery. This was the first time since May that Aussie
Open had teamed up, and the first time since they
had signed with AEW.
The
rest of the card saw champions retain their titles.
The double main event had Claudio Castagnoli successfully
retain the ROH World title against PAC, and Athena
retain the ROH Women's title against Willow Nightingale.
Wrestling
and sports announcing legend Jim Ross on AEW - July
2023
"Ian
(Riccaboni) really distinguished himself in Calgary,
I thought. I thought he and Nigel McGuinness had a
hell of a night. I don't trust anybody any more than
Ian Riccaboni to get the stuff in. We've got a great
anchor with Excalibur and another great anchor with
Ian Riccaboni and you just got to try it and see what
kind of chemistry there is between teams. The team
of Taz and Tony Schiavone and Excalibur is excellent.
They really are excellent and they're getting their
timing together. They're not talking over each other.
They're trying, I think, not to use so many fu**ing
pronouns. Then Nigel and Ian had a hell of a night,
and that's leaving out Kevin Kelly in this debate.
He'll be back as I understand it to do Collision,
but I don't know how all that's gonna work out. I
don't have any idea. But anyway, you just got to see
if they got chemistry. The skill set it takes to have
the patience to talk in sound bites and not make your
dialogue about you. That's what we're waiting to see
how that was all going to transfer.” - Jim Ross
AEW's
Matt Hardy On The Pros & Cons Of Social Media
- July 2023
Matt
Hardy has remained a top star for several decades.
However, his career was rejuvenated in a big way with
the emergence of his break-out "Broken"
character in TNA. The new persona wound up going viral
on social media, thanks to wrestling fans. As a result
of leveraging social media to his benefit, Hardy has
a pretty solid grasp on the pros and cons of its usage,
which he shared during a recent appearance on "Busted
Open Radio."
"I
have said this for a long time. Social media is the
best thing ever to happen and social media is the
worst thing to ever happen," Hardy explained.
"When you are on social media, it gives guys
that are hungry and driven a great platform to promote
themselves, to promote their business, to promote
their projects — whatever it may be. But it also
allows people to come on social media without accountability
and without responsibility. And they can insult people
and troll people."
Hardy
recently encountered some toxicity at the hands of
Jim Cornette and his fans on social media, but Hardy
does his best to not let it affect him.. "Just
because there are a group of people that may follow
someone who is an antiquated relic in terms of his
opinions — if they came at me and insult me that
doesn't bother me at all," said Hardy. "Matter
of fact, it is kind of like a badge of honor because
I am picking up attention in some capacity".
Hardy has realized the best response is not to waste
energy arguing or trying to change opinions.
Hardy
also recognizes social media isn't going anywhere,
and he pushed that to thrive in society you needed
to embrace technology and adapt to societal changes.
"Social media is a magical thing. It is a monster.
It is so powerful," said Hardy. "I just
hope people try hard to be very responsible and use
it for good."
ONE
Championship To Host Four U.S. Events In 2024
ONE
Championship, the world’s largest martial arts
organization, today announced that the promotion will
host four events in the United States in 2024.
Coming
off a successful U.S. debut in May at 1stBank Center
in Colorado with ONE Fight Night 10, ONE will look
to carry its momentum into 2024 with a recurring cadence
of ONE Fight Night events in America, which will air
live on Prime Video in the U.S. and Canada. Cities,
venues, and ticketing information will be announced
at a later date.
Chatri
Sityodtong, Chairman and CEO of ONE Championship,
stated: “I am thrilled to announce that ONE Championship
is coming back to the U.S. with four massive events
in 2024. When we made our historic U.S. debut with
ONE Fight Night 10 on Prime Video, I was blown away
by the support we received from our fans in the U.S.
ONE is home to the greatest martial artists in the
world, and I’m excited to once again showcase
our World Champions on American soil. To our fans
that haven’t seen a live ONE event, I promise
you an experience unlike anything you’ve ever
seen.”
ONE
Fight Night 10 featured Demetrious “Mighty Mouse”
Johnson defending the ONE Flyweight World Title, the
return of “Super” Sage Northcutt, the U.S.
debuts of Thai superstars Rodtang Jitmuangnon and
Stamp Fairtex, and more. Milestones for the event
included:
Tickets:
Sold out 1stBank Center in Colorado
Viewership:
Most watched event to date for ONE on Prime Video
Search:
A new peak on Google Trends for “ONE Championship”
in the U.S.
Social:
#ONEFightNight10 trended #1 on Twitter in the U.S.
and Canada for Sports
Prime
Video Partnership: Merch on Demand QR codes for ONE
apparel, in-stadium Twitch Watch Parties featuring
ONE athletes, live coverage throughout fight week
Stage
Front VIP, the exclusive U.S. VIP experience partner
of ONE, will continue to provide fans with unrivaled
access through immersive VIP experiences that include
premier seating, premium hospitality offerings, athlete
meet-and-greets, event collectibles, after-party access,
and more.
Streaming
quotas decision would ease Hollywood strike headache:
studio boss - July 16, 2023
Australia’s
film and television sector will avoid major disruption
as a result of union strikes in Hollywood, although
the Albanese government is being urged to finalise
its decision over proposed local content quotas to
ease uncertainty in the industry.
Former
chief executive of Nine Entertainment Hugh Marks –
who last year founded Australian studio Dreamchaser
alongside former Endemol Shine boss Carl Fennessy
– said the writer and actor strike had added
a layer of complexity to the Australian industry.
After
announcing in January it would implement local content
requirements for international streaming services,
the government is yet to set a number for the quota.
A spokesperson for Tony Burke, minister for the arts
and for workplace and employment relations, reaffirmed
a decision would be made this side of the new year,
ahead of its implementation in July 2024.
Marks
said the local offices of the likes of Netflix, Disney
and Apple will be affected by the strikes, with Australian
content pitches increasingly being angled towards
a global audience.
The
strikes have coincided with a period where streamers
have shifted gears from “a gold rush of global
domination”, Marks says, to being forced to figure
out how to monetise their vast audiences.
Several,
including Netflix, Disney+ and Binge locally, have
turned to advertising as a contributing solution.
A clear direction from the government, he says, would
ease the headache over decision-making on domestic
content.
“The
one thing that would really be beneficial now would
be the release of the new proposed laws about quotas
in this market because that would certainly give everyone
some focus as to at least what’s got to be done
domestically,” Marks says.
“I’m
certainly encouraging the government to act sooner
rather than later to remove that unnecessary lack
of certainty from the local market.”
In
a positive for the local industry, a statement on
Friday from Screen Producers Australia (SPA) noted
the strike does not apply to non-scripted productions,
including documentaries, light entertainment and reality
shows – the latter of which is widely noted to
be a beneficiary of the writers’ strike in 2007.
SPA
said it anticipated a limited number of non-Australian
productions will be affected by the strikes locally.
The body said all scripted local productions produced
and controlled by Australian production companies
that have engaged Australian and Imported SAG members
will continue unaffected, provided they engage all
cast under Australian Industry Contracts in accordance
with the Global Rule One Agreement between SAG-AFTRA
and the Media Entertainment & Arts Alliance (MEAA).
While
it has been suggested prolonged strikes in the US
could see an additional influx of Australian-produced
content, Marks believes it is too early in the process
to think that might be the outcome.
The
country’s biggest streaming services are required
under legislation introduced by the Morrison government
to report their spending on Australian content to
the authority. The big five – Netflix, Stan,
Amazon Prime Video, Disney+ and Paramount+ –
reported that in 2021-22 they collectively spent $668.5
million on “Australian” and “Australian-related”
content.
Last
month, NBC Universal walked away from its $180 million
sci-fi series, Metropolis, which had pre-production
under way at Docklands Studios in Melbourne. After
the actors union voted to strike last week, the Sam
Neill/Annette Bening drama Apples Never Fall, halted
on Friday. Production was already under way in Queensland,
budgeted at an estimated $79 million.
NBC
Universal signed a content deal with Foxtel in November,
with an extended deal with Warner Bros. Discovery,
owner of the highly regarded network HBO, in February.
Foxtel’s
streaming service Binge has relied heavily on content
from HBO for its sustained growth since launching
in 2020, with popular shows such as White Lotus, Succession,
and The Last of Us. Binge was responsible for 11.9
per cent of all new Streaming Video on Demand subscriptions
in the first quarter of this year, according to data
from Kantar, with 18 per cent of all of its new user
acquisitions driven by The Last of Us, its blockbuster
nine-part series that debuted in January.
Local
players including Foxtel and Stan (owned by Nine)
were approached for comment on the impact of their
programming schedules.
One
of the streamer’s largest subscription drivers
in 2022, House of the Dragon, will continue filming
in the UK, due to the show being largely comprised
of British actors with contracts governed by the local
union, Equity.
Paramount,
which owns Network Ten and streaming service Paramount+,
is understood to not be affected by the strikes. While
it benefits from a constant stream of content from
Paramount Studios, the local arm of the company has
focused its efforts on Australian-produced content,
which includes shows such as The Last King of the
Cross, Five Bedrooms, and the recently green-lit series
NCIS: Sydney, being produced locally by Endemol Shine.
Screen
Producers Australia wants a 20 per cent levy on the
streamers’ Australian revenue, while the streamers
insist they are spending plenty already, with local
TV networks in agreement.
In
May, a submission by industry body Free TV, which
represents Nine, Seven West Media and Network Ten,
said it opposed the introduction of quotas for local
productions, arguing the screen production industry
in Australia is already booming.
Free
TV doubled down this week, calling for a balanced
approach to the introduction of streaming quotas.
In response to comments by Bryan Brown AM in an address
to the National Press Club, Bridget Fair, CEO of Free
TV Australia said the group invests $1.5 billion every
year in Australian content.
“But
if the Government is going to impose content quotas
on streaming services, it needs to carefully consider
the impact this will have on the Australian public
who rely on free services from our local broadcasters,”
she said.
Australian
tech billionaire Mike Cannon-Brookes splits from wife
- 22nd July 2023
An
Australian tech billionaire worth $19 billion has
reportedly split from his wife after 13 years of marriage.
Australian
tech billionaire Mike Cannon-Brookes has reportedly
split from his wife after 13 years of marriage.
Sources
close to the family of Mr Cannon-Brookes, who is Australia’s
sixth-richest person and the co-founder of Atlassian,
have confirmed he is separating from his wife, Annie,
according to Nine newspapers.
The
couple married in 2010.
Their
separation comes just a week after the high-profile
split of Australia’s richest couple, Twiggy and
Nicola Forrest.
The
Forrests, who had been married for 31 years, said
they were living apart but insisted the separation
will not impact their mining and philanthropy empire.
Mr
Cannon-Brookes made his estimated $19 billion fortune
alongside fellow Aussie billionaire Scott Farquhar,
with whom he co-founded software firm Atlassian in
2002.
The
company is widely considered a great Australian success
story, its share price having quintupled since it
was listed on the US stock exchange in 2015.
Atlassian
has, however, suffered a tough 12 months amid broader
turmoil in the tech sector. In March, the company
laid off 500 workers just a few months after a dramatic
hiring blitz.
In
a self-described “no bulls**t” note to staff,
Mr Cannon-Brookes and Mr Farquhar said it was a “very
hard day in our 20 year history” and they were
“deeply sorry” to make the job cuts.
“To
be clear, this decision is not a reflection of Atlassian’s
own financial performance, as we will be reinvesting
in roles that better support our priorities,”
they wrote.
The
Cannon-Brookes family owns an impressive property
portfolio, including the 1.1-hectare Fairwater estate,
previously the home of the late Lady Mary Fairfax,
which they acquired in 2018 for a reported $100 million.
It was believed to be the priciest property sale in
Australian history.
In
June, the couple forked out $14.25 million to buy
a home in Newport, on Sydney’s northern beaches,
neighbouring the $24.5 million estate they purchased
in 2020.
The
five-bedroom home is set on a 3000-square-metre block
of land and features a 1000-square-metre netted bathing
area.
Cannon-Brookes,
who was previously a fashion designer, was born in
the US.
It’s
believed he and Annie met at a Qantas lounge during
a trip between Sydney and San Francisco.
Endeavour calls on states to work together on gambling
reform
Endeavour
Group boss Steve Donohue has urged state and territory
governments to work more closely together when considering
policies to fight problem gambling, as the hotels’
operator promises to get a jump on implementing gaming
reforms unveiled in Victoria this week.
Donohue
said on Thursday that Endeavour, one of the largest
operators of poker machines in the country, has written
to state governments calling for a “more co-ordinated
and collaborative approach” and to make sure
that knowledge is shared across all states on proposals
such as cashless gaming and facial recognition technology.
He
said there was room for the states to share more insights
with each other about the impact and efficacy of different
policy measures.
“What
we are saying is we think there is an opportunity
for deeper collaboration and more co-ordination in
relation to various approaches, suggestions and ideas,”
he said.
“We
can learn from the experiences that each state and
territory is having.”
A
spokesperson for New South Wales Gaming and Racing
Minister David Harris said the state was committed
to working with all stakeholders to deliver evidence-based
gambling reform.
“We
will be paying very close attention to the activities
of other jurisdictions, such as the Victorian government
and the evidence they unearth through the work of
their implementation working group,” they said.
“Just
this week the minister met with the ACT minister for
gaming to continue collaboration and discussion on
gambling reform across jurisdictions.”
Endeavour
told shareholders on Thursday that the company would
move swiftly to implement changes after the Victorian
government unveiled proposed reforms to gaming machine
regulations on Sunday.
The
state’s plan for reducing gambling harm includes
slower spin times for games, mandatory closing periods
for gaming room floors, mandatory pre-commitment limits
and a load-up limit of $100, which will cap how much
an individual can put in a machine at a time.
Endeavour
confirmed it would adjust the hours of gaming machine
areas at its ALH Hotels in Victoria, so they close
between 4am and 10am by August 31; 10 months ahead
of the government’s proposed timeline.
This
would bring Victoria’s rules in line with operating-hours
regulations in NSW and South Australia.
The
company also confirmed it supported the $100 load-up
limit and would bring this into operation for Victorian
machines “as soon as is practicable”.
Shares
in the business closed 9.9 per cent weaker on Monday
as investors and analysts considered what impact the
reforms would have on the group’s earnings.
Goldman
Sachs analysts said on Monday that the exact impact
would be difficult to estimate, but said it could
lower earnings by 0.5 per cent to 1.8 per cent during
the 2024 financial year.
E&P
Financial analyst Philip Kimber said policies such
as the $100 load-up limit were likely to have a smaller
impact on Endeavour’s financials than the Victorian
government’s policy on pre-commitment limits.
“There
is no change to our view that the Victorian government
proposal with the potential to have the most material
impact on electronic gaming machine spend in Endeavour’s
Victorian pubs is mandatory pre-commitment limits
[via carded play],” he said in a note to clients
on Thursday.
Endeavour
shares opened stronger but did not maintain momentum
during Thursday’s session as the broader market
stayed flat. The stock was up 0.3 per cent to $5.91
in late afternoon trade, but still down by 5.6 per
cent over the past five days.
Media Man commentary for David Rowe Illustrations
as per The Australian Financial Review
Pen
Dan Thon Games For Four. Great art.
No
Pentathlon. No nothing. Gang of four. Gonzo and satire
+. Commentary open to interpretation, as per pro wrestling
legend John Cena's Instagram. Beauty of otherwise
in the eye of the beholder. Alternative commentary:
Sports biz blessing in disuise and doddged a bullet
from the range.
Media Man commentary for Mike Mooneyham feature on
'The Bloodline' and wrestling factions news in the
WWE
Exactly.
But, hopefully it becomes the "new normal"
for the WWE version of pro wrestling. The Judgement
Day faction also looks very promising to me with Dirty
Dom as a heat seeking "killer heel" element,
while going after all of the belts. Tony D gets seen
on today's WWE SmackDown backstage and he's got "mob"
and family business history with Escobar, so LWO also
gets a shot in the arm. So much better than 3 to 5
years ago. The Triple H era with apparent assistance
by Shawn Michaels and a few others who listened to
fans of pro wrestling. Paul Heyman fingerprints over
the "crime scenes" for the past 56 months
or so. And WWE business is at historic levels. Feel
welcome to quote me.
Media
Man commentary for recent scribes in Search Engine
Journal - 2023
SEJ's
Kristi on the latest on the Hollywood writers strike
connection with AI, human writers and the like..To
paraphrase the world's leading tech entrepreneur/innovator,
Elon Musk, "Once you summon the beast (of AI)
there's no turning back". For me, founding and
overseeing a modest size independent media and online
publishing firm.Insew both opportunity and threats
with AI. More threats at this stage of the game..
Circa 1980 pro wrestling legend, "The American
Dream" Dusty Rhodes cut a promo which was decades
ahead of its time and included the verse, "A
computer took my job Daddy"..and "that's
hard times". Well, we may not be quiet at that
point but social is inching closer. We are somewhat
reluctantly starting to embrace some A.I elements.
Twitter Spaces broadcast raised interesting points
on AI in business and life over the past week. The
part about "summoning the demon" is still
giving me mild nightmares. AI can certainly save publishers
and the like a considerable amount of money? How?
By reducing if not elimination of human writers, web-coders
and so on. Ying and yang. AI wins and a human loses.
But, humans are still in control right?! This is getting
me even more fired up for the potential match: Musk
vs Zuck! Man vs Machine!
Media
Man commentary for Search Engine Journal: Supercharge
your Alt text SEO strategy
SEJ
- Alt Text AI.. motivated to work on an AI project
to help get the best parts of the subject and have
AI write one of these AI articles for us. Open AI,
xAI, Bard and/or other! AI tender wars could be a
potential growing trend. Save time and save money
by not having to pay a human to do a job an AI robot
machine can do! "Never pay a human to do a machines
job". (Agent Smith -;The Matrix). In AI and SEJ
we trust. Man over machine or Machine vs Human? Can
they both co-exist in the AI SEO space or will a battle
be looming or more a Darwinism for the AI writer and
scribe. An AI writer will work for nothing and around
the clock 365 right? Little wonder the article was
done or largely done by AI. A growing trend, or a
one-off? All the news that's fit to print on SEO.
AI SEO all the way to the bank.
Netflix
reveals jaw-dropping result after password sharing
crackdown
The
streaming giant has unveiled the results of its controversial
password-sharing crackdown – and they’re
quite staggering.
Netflix
has revealed that subscriptions to their streaming
service climbed by nearly six million in the wake
of its crackdown on password sharing.
The
streaming giant finished the recently ended quarter
with a total of 238 million subscribers and a profit
of $US1.5 billion ($1.77 billion), according to an
earnings release.
The
pick-up in subscribers came as a potentially crippling
writers and actors strike hits the US entertainment
industry, but with analysts saying Netflix is better
positioned than its rivals to weather the storm.
“We
are constantly at the table negotiating with everyone
across the industry,” Netflix co-chief executive
Ted Sarandos said during an earnings presentation.
“We
need to get to this strike to a conclusion so that
we can all move forward.”
Revenue
came in lower than expectations with Netflix posting
$US8.2 billion ($12 billion) in sales over the April
to June period, pushing the company’s shares
down more than eight per cent in after hours trading
on Wall Street.
Netflix
in May expanded its crackdown on users sharing passwords
with people beyond their immediate family as it seeks
to shore up revenue after a rough patch last year.
Earlier
this year the company complained that more than 100
million households were sharing accounts at the service.
“Let’s
face it, the crackdown on passwords is working,”
Navellier and Associates chief investment officer
Louis Navellier said of Netflix.
“I
was ecstatic with the results; I think they hit the
ball out of the park with subscriber growth.”
In its earning statement, the company said that the
policy would expand to all its markets worldwide.
To
convert non-paying users, Netflix has introduced “borrower”
or “shared” accounts, in which subscribers
can add extra viewers for a higher price or transfer
viewing profiles to new accounts.
Netflix
launched an ad-subsidised offering around the same
time as the crackdown, and on Wednesday eliminated
its lowest priced ad-free plan that cost $10 a month
in the US.
“The
decision to cut its basic tier is an effort to bolster
advertising by elevating the price difference between
its advertising and non-advertising tiers,” said
Insider Intelligence principal analyst Ross Benes.
“Building
an ads business from scratch isn’t easy and we
have lots of hard work ahead, but we’re confident
that over time we can develop advertising into a multi-billion
dollar incremental revenue stream,” Netflix said
in the letter to shareholders.
Benes
estimates that Netflix will generate $US770 million
($1.13 billion) in advertising revenue in the US this
year, and more than US$1 billion by 2024.
“Netflix’s
increased focus on password sharing will occur alongside
heightened pressure to expand ad revenue,” Benes
said.
“As
the service’s subscriber base plateaus in more
countries, Netflix will focus on moving price-sensitive
freeloaders to its cheaper ad-supported plan.”
Actors
on strike
The
earnings report came as Netflix and other film and
television makers see productions halted by an actors
and writers strike in the United States.
“The
share price is down a bit after market; there is worry
they will run out of content because of the Hollywood
strike,” Navellier told AFP.
Screen
Actors Guild (SAG-AFTRA) members joined writers who
have been on strike for weeks, triggering the first
industry-wide walkout for 63 years and effectively
shutting down Hollywood.
“Our
experts say that Netflix is best positioned to weather
the strike compared to competitors, but it could start
to feel pressure if its content pipeline gets increasingly
strained,” said Third Bridge analyst Jamie Lumley.
Sarandos
said on an earnings call in April that the company
has a “pretty robust slate of releases”
and a large base of upcoming films and shows from
around the world to help it endure a strike.
The
company touted the success of fresh Murder Mystery
and Extraction films, as well as series such as Bridgerton,
The Witcher and Never Have I Ever.
“This
year we’ll have more returning seasons than any
other streamer,” Netflix told shareholders, sharing
a list that included The Crown and Virgin River.
Netflix
scraps huge comeback movie for beloved 80s franchise
- July 2023
Netflix
has scrapped a huge comeback movie for a beloved 80s
series, despite already spending more than $44m developing
it.
Netflix
has scrapped a huge comeback movie for a beloved 80s
series.
Despite
spending more than $44m on the project, it seems the
upcoming film has officially been given the axe by
the streaming giant.
The
Masters of the Universe – based on the He-Man
and other Mattel toys – has been in the works
at Netflix since 2019.
The
streaming giant already released an animated series,
He-Man and the Masters of the Universe in 2021, and
two other shows were also in development.
However
according to Variety, despite the extortionate amount
of money spent on development costs, the project has
been axed.
The
news reportedly comes after “budget concerns”
were raised.
The
project previously had a tough time trying to find
its way to the big screen as it went through both
Warner Bros. and Sony Pictures.
Many
writers have been involved in the project since 2007,
as well as acclaimed directors Jon M. Chu and McG.
Huge
names were attached to the film including The Lost
City directors Adam and Aaron Nee and lead actor Kyle
Allen, 28, who is best known for roles in West Side
Story and American Horror Story.
Significant
pre-production procedures took place even though producers
worked to get the budget down.
Netflix
reportedly rejected a $180 million budget as it never
officially gave the project the green light.
Although
the film is no longer at Netflix, Mattel is reportedly
looking for a new home for the film.
CEO
of the company Ynon Kreiz recently told The New Yorker:
“It’s hundreds of pages of characters and
sorcerers and vehicles and weaponry – you name
it.
“And
then you flip through the pages, and here’s a
movie, and here’s a movie, and here’s a
TV show. . . . it’s endless!”
The
film is based off a toy line franchise of the same
name, which was also a hit cartoon series that aired
from 1983 to 1985 and consisted of 65 episodes.
The
series was so successful that it spawned a spin-off
series, She-Ra: Princess of Power, following the adventures
of He-Man’s sister, Princess Adora.
A
live action movie version was released in 1987 which
starred the likes of Dolph Lundgren, Courteney Cox
and Frank Langella.
‘They
Live’, starring Roddy Piper, returning To U.S
theaters For 35th Anniversary
John
Carpenter’s classic They Live, starring WWE star
Roddy Piper, Keith David, and Meg Foster, came out
in 1988. The film is based on “Eight O’Clock
in the Morning” by Ray Nelson. As AMC Theatres
summarized, They Live centers around “aliens
who are gaining control of the earth by masquerading
as humans and the one man determined to stop them.”
This special anniversary event will feature an exclusive
intro from director John Carpenter.” To commemorate
the movie’s thirty-fifth anniversary, it is returning
to theaters on September 3 and 6 through Fathom Events.
The special edition will include an exclusive intro
from Carpenter.
Meta
and other social media giants blocking news in Canada
- July 2023
Some
Instagram users in Canada are finding their access
to news accounts restricted as Meta and other social
media companies prepare for the country’s Online
News Act to come into effect. Meta, the company that
owns Instagram and Facebook, says it underwent testing
in June to limit some users and publishers from viewing
or sharing news content in Canada. It says tests impact
up to five per cent of Canadian users. Many have questions
about the federal government’s Online News Act,
why it’s being opposed by social media companies
and how the friction between the two will impact Canadian
users. Here are some of your questions, answered.
What
is the Online News Act?
The
Online News Act, or Bill C-18, is a piece of Canadian
legislation that requires tech companies like Google
and Meta to compensate news outlets for sharing links
to their pages. The law received royal assent on June
22 and is slated to take effect “no later than
180 days” after that date.
What
are the concerns for social media companies?
Critics,
including Meta and Google, say Bill C-18 is unfair,
unworkable and amounts to a tax on links, with no
recognition of the traffic or “free marketing”
the tech companies provide to news publishers. Along
with blocking access to some users, Meta has begun
an ad campaign on its Facebook and Instagram platforms,
criticizing the law and explaining its decision to
remove news links.
“The
Online News Act is based on the incorrect premise
that social media companies benefit unfairly from
news content shared on our platforms, but the reverse
is true,” said Lisa Laventure, spokesperson for
Meta, in a statement Monday. “News outlets voluntarily
share content on social media to expand their audiences
and help their bottom line. Unfortunately, the only
way we can reasonably comply with this legislation
is to end news availability for people in Canada in
the coming weeks.”
Is
this what the bill’s proponents wanted?
No.
Heritage Minister Pablo Rodriguez called Meta’s
move “disappointing” and said Canadians
will not be intimidated by these tactics. Meanwhile,
Paul Deegan, the head of News Media Canada, called
Meta’s move a “kick in the shins” to
Canadians at a time when the value and need for credible
information has never been greater.
“Meta’s
decision to ‘unfriend’ Canada by denying
access to trusted sources of news for some of their
users, as wildfires burn and when public safety is
at stake, is irresponsible and tone deaf,” Deegan
told CBC News in an email. “This hard-nose lobbying
tactic is more evidence of the power imbalance that
exists between dominant platforms and publishers.”
Will
this happen to all of us soon?
In
order to comply with the law, both Google and Meta
have stated they would remove news links in Canada
before the law comes into effect by the end of the
year. Rodriguez has said Google and Meta do not have
obligations under the law because the regulatory process
is just beginning.
“We’re
deeply convinced that Google’s and Facebook’s
concerns can be resolved through the regulatory process.
If Facebook truly believes that news has no value,
they can say so at the negotiating table,” Rodriguez
said in a statement on Monday. “Threats to pull
news instead of complying with the laws in our country
only highlight the power that platforms hold over
news organizations, both big and small.” Google
has said it will work with the government throughout
the regulatory process, while Meta believes the process
isn’t equipped to make changes to parts of the
legislation with which it disagrees.
What
is CBC doing about this?
Legacy
media and broadcasters have praised the bill, which
promises to “enhance fairness” in the digital
news marketplace and help bring in more money for
shrinking newsrooms. Tech giants including Meta and
Google have been blamed in the past for disrupting
and dominating the advertising industry, eclipsing
smaller, traditional players. CBC/Radio-Canada’s
corporate position is that the Online News Act will
help level the playing field and contribute to a healthy
news ecosystem in Canada “at a time when 80 per
cent of digital ad revenue goes to Facebook and Google,”
said spokesperson Leon Mar. In an editor’s blog,
CBC News editor-in-chief Brodie Fenlon has suggested
audiences follow the broadcaster on TikTok and other
apps, such as Gem and CBC Listen.
Has
there been pushback?
Meta,
which is based in Menlo Park, Calif., has taken similar
steps in the past. In 2021, it briefly blocked news
from its platform in Australia after the country passed
legislation that would compel tech companies to pay
publishers for using their news stories. It later
struck deals with Australian publishers. Gregory Taylor,
a communications, media and film professor at the
University of Calgary, pointed to Australia as an
example for why Canadian news publishers should hold
strong on their position.
“Facebook
is really trying to assert itself, but in the end
they can’t afford to lose a lot of these markets,”
Taylor previously told CBC North. “I believe
that we are at the leading edge of getting these companies
to contribute to our democracy by bringing in this
kind of funding model.”
What
is the answer to combat this?
Alfred
Hermida, a journalism professor at the University
of British Columbia, believes C-18 is a “flawed
piece of legislation” that doesn’t address
greater issues in the news industry, such as the concentration
of private media ownership.
“It
doesn’t take into account the record profits
of media conglomerates like Bell and Rogers,”
he previously told CBC News. “And it doesn’t
really do anything to support for more than 140 journalism
startups that have been created in Canada since the
year 2000.” In the near term, private messaging
and chat groups may also be alternatives as Meta’s
Facebook Messenger does not appear to be affected
by the company’s plans to block news links.
In
conclusion, the implementation of Canada’s Online
News Act has led to restrictions on news accounts
for some Instagram users in the country. Meta and
other social media companies have undergone testing
to limit the viewing and sharing of news content in
Canada. The Online News Act requires tech companies
to compensate news outlets for sharing links to their
pages. Social media companies like Meta and Google
oppose the law, stating that it is unfair and amounts
to a tax on links. Meta’s decision to block news
links has been criticized by proponents of the bill,
who argue that it is irresponsible and highlights
the power imbalance between platforms and publishers.
Both Google and Meta have announced plans to remove
news links in Canada before the law comes into effect.
CBC/Radio-Canada supports the Online News Act, believing
it will enhance fairness in the digital news marketplace.
There has been pushback from social media companies,
with Meta previously blocking news in Australia but
later striking deals with publishers. The answer to
combat this issue is still being debated, with some
arguing that the legislation does not address larger
issues in the news industry. In the meantime, private
messaging and chat groups may serve as alternatives
for accessing news content.
Top
5 Movies about writers on Netflix
Movies
are a great part of our lives. They make us happy
and sad, inspire us to embark on journeys to unknown
lands, and become our escape when everything seems
to go down. You can find a movie about literally anything
and use it as a tool to get out of a crisis.
This
is especially relevant for academic writers and their
blocks. The writing industry knows no boundaries,
starting with novel writers who spend years on their
books and finishing with professional essay writers
who can finish a difficult assignment in 8 hours.
SmartWritingService is a great sample of such websites.
Both
get writer’s blocks from time to time. Just like
batteries, they need to be recharged to continue their
work. Sometimes it’s the feeling of the worthlessness
of what they do, while other times, it’s just
general exhaustion.
If
you’re in a similar situation, let us help you
recharge with the 5 best movies about writers!
TOP
5 MOVIES ABOUT WRITERS
These
will enchant you with interesting stories and help
get your mind off the struggle. Get some popcorn,
a blanket for extra coziness, and let’s begin.
STRANGER
THAN FICTION
This
is an extraordinary story that comes alive thanks
to an amazing cast. Here you can see legends such
as Dustin Hoffman and Emma Thompson. Another treat
is Will Ferrel in an unusual role for him. We all
know the actor for his humor and sarcasm, but in this
movie, he’s a completely different, serious,
character.
With
this movie, you will experience all the stages of
the writing process, a unique interpretation of it,
and the way to make your characters open from new
sides on screen. It’s unique, creative, and very
engaging. The movie will leave an impression you won’t
be able to shake off for several days. And you won’t
have to!
MIDNIGHT
IN PARIS
If
you’re more into romantic stories, this movie
is a great choice for your rewind time. This is Woody
Allen at his best! The movie shows a story, filled
with romance and comedy, about a promising writer
on a journey to the most loving and loved city of
the world, Paris, with his fiancee.
The
author, played by the talented Owen Wilson, is filled
with fears, a lot of writers have, no matter the genre,
experience, or era. The movie takes a fantastic twist
when the writer meets a lot of authors he was inspired
by before their famous breakthroughs. Their stories
help him overcome every doubt and fear, coming out
a completely new person and giving himself a chance.
The
story is enhanced by the beauty of the French capital,
which is just magical.
SWIMMING
POOL
This
movie is more of a thriller, for those who like to
be on the edge of their seats, thinking of nothing
more but the plot. It’s about deadlines (the
most powerful thriller for a writer anyway) and inspiration
in unexpected places. The main character, played by
Charlotte Rampling, is nearing her deadline that comes
as quickly as an express train. She has a new novel
to present to her publisher, and it should become
as good as her previous successful book, maybe even
better.
She
goes to the countryside in France and meets a teen
played by Ludivine Sagnier. As teenagers can be, she’s
quite rebellious, but the writer, unexpectedly, finds
inspiration and motivation in their interaction that
drives her to make the book much better. The story
is filled with mystery, as well.
WILDE
The
name of the movie says everything. Oscar Wilde is
one of the most unique and famous writers in the world.
This story highlights certain parts of his personal
life, where a lot of writers can find similarities
or explanations to some of their questions.
The
author appreciated beauty in everything, was quite
witty and painfully honest in his works. This movie
can help you gain a new understanding of the world
of writing, personal crisis, and more. Besides, you’ll
find out a lot of new information about the writer,
which is always interesting.
SHAKESPEARE
IN LOVE
For
everyone who loves pretty things, this is an incredibly
beautiful movie. It stars Gwyneth Paltrow and is a
special film in her life. The actress won an Academy
Award for it! This is a drama-comedy about a writer
that everyone around the world knows.
We
learn about Shakespeare in school, and some continue
to do it due to their major or sheer interest in this
extraordinary person and a talented writer. The movie
is highly entertaining and beautiful, shot in a traditional
British manner. If you’re struggling with writer’s
block, this film is a must-watch!
Pop
Culture Podcast Wars; Media Man Monthly awards
4
Way Tie: Logan Paul's Impaulsive, WWE's Out Of Character,
Joe Rogan and Russell Brand
TMZ
wins Media Man 'Pop Culture News Outlet Of The Month'
WWE
wins Media Man 'Wrestling Promotion Of The Month'
Runner-ups: All Elite Wrestling, Game Changer Wrestling
and National Wrestling Alliance
Search
Engine Journal wins Media Man 'Search News Outlet
Of The Month'; Runner-up: Search Engine Land
Pop
Culture, Streaming, Wrestling, MMA, Combat Sports,
Movies, Sports Business...
Netflix
finally reveals how much it makes from Australians
- 1st June 2023
Netflix
made more than $1 billion from Australians last year,
a figure the company reported for the first time after
deciding no longer to funnel revenues through a Netherlands-based
subsidiary.
Accounts
lodged by the streaming giant show Netflix Australia
made $1.06 billion in 2022, up from $30.7 million
the year before.
The
increase in reported revenue came after the company’s
local subsidiary changed how it bills. It now describes
itself as a “distributor of access” to Netflix
Service as opposed to a provider of services for its
parent company.
It
was previously estimated that Netflix made between
$790 million and $1.4 billion from Australians, but
customers were billed by Netflix International BV.
But from January 1 last year, customers were billed
by Netflix Australia, meaning subscription revenue
was recognised and taxed locally.
The
accounts, filed with the Australian Securities and
Investments Commission, show Netflix Australia paid
$966 million to the Netflix Group in distribution
fees and other costs, meaning it made just $22.7 million
from total revenues of $1.06 billion.
After
paying $6.9 million in income tax, it reported $15.8
million profit for the year.
“As
Netflix continues to grow and invest in Australia,
we want our corporate structure to reflect our business
activities here,” a spokesman for Netflix said
last year when The Australian Financial Review reported
the structural change.
In
2021, Netflix Australia reported $30.7 million in
revenue, $2.4 million in profit pre-tax, and $1.5
million in profit after its $868,000 income tax bill.
Netflix
does not disclose subscriber numbers for Australia,
but the revenue figures included in its latest accounts
implies the service has around five million customers
locally, if its standard plan, $16.99 per month, is
used as a guide. It has four monthly price tiers including
a new, cheaper one that now adds some advertising.
According
to the Australian Communications and Media Authority,
streaming services made a combined $2.49 billion in
Australia in 2021.
The
disclosure of Netflix’s true Australian revenue
comes as the federal government considers introducing
quotas that would force streaming companies to spend
a certain amount making shows locally.
Some
suggestions have been forcing them to spend between
10 and 20 per cent of local revenue on Australian
shows, meaning Netflix would be required to spend,
depending on the rate, between $100 million to $200
million.
ACMA
estimates streaming providers spend $335.1 million
on Australian content in the 12 months to the end
of June last year, up from $178.9 million the year
before.
Netflix
has been contacted for comment.
News
Mistakes
and miscalculations: How the Murdochs and Fox got
it so wrong - 30th May 2023
In
August 2021, the Fox Corp. board of directors gathered
in Los Angeles. Among the topics on the agenda: Dominion
Voting Systems’ $US1.6 billion ($2.5 billion)
defamation lawsuit against its cable news network,
Fox News.
The
suit posed a threat to the company’s finances
and reputation. But Fox’s chief legal officer,
Viet Dinh, reassured the board: Even if the company
lost at trial, it would ultimately prevail. The First
Amendment was on Fox’s side, he explained, even
if proving so could require going to the Supreme Court.
That
determination informed a series of missteps and miscalculations
over the next 20 months, according to a New York Times
review of court and business records, and interviews
with roughly a dozen people directly involved in or
briefed on the company’s decision-making.
The
case resulted in one of the biggest legal and business
debacles in the history of Rupert Murdoch’s media
empire: an avalanche of embarrassing disclosures from
internal messages released in court filings; the largest
known settlement in a defamation suit, $US787.5 million;
two shareholder lawsuits; and the benching of Fox’s
top prime-time star, Tucker Carlson.
And
for all of that, Fox still faces a lawsuit seeking
even more in damages, $US2.7 billion, filed by another
subject of the stolen election theory, voting software
company Smartmatic.
Caught
flat-footed
Repeatedly,
Fox executives overlooked warning signs about the
damage they and their network would sustain, the Times
found. They also failed to recognise how far their
cable news networks, Fox News and Fox Business, had
strayed into defamatory territory by promoting President
Donald Trump’s election conspiracy theories —
the central issue in the case. (Fox maintains it did
not defame Dominion.)
When
pretrial rulings went against the company, Fox did
not pursue a settlement in any real way. Executives
were then caught flat-footed as Dominion’s court
filings included internal Fox messages that made clear
how the company chased a Trump-loving audience that
preferred his election lies to the truth.
It
was only in February that Murdoch and his son with
whom he runs the company, Lachlan Murdoch, began seriously
considering settling. Yet they made no major attempt
to do so until the eve of the trial in April, after
still more damaging public disclosures.
At
the centre of the action was Dinh and his overly rosy
scenario.
Dinh,
a high-level Justice Department official under President
George W. Bush, declined several requests for comment,
and the company declined to respond to questions about
his performance or his legal decisions. “Discussions
of specific legal strategy are privileged and confidential,”
a company representative said in a statement.
The
second half of 2020 brought Fox News to a crisis point.
The Fox audience had come to expect favourable news
about Trump. But Fox could not provide that on election
night, when its decision desk team was first to declare
that Trump had lost the critical state of Arizona.
In
the days after, Trump’s fans switched off in
droves.
The
Fox host who was the first to find a way to draw the
audience back was Maria Bartiromo. Five days after
the election, she invited a guest, Trump-aligned lawyer
Sidney Powell, to share details about the false accusations
that Dominion, an elections technology company, had
switched votes from Trump to Joe Biden.
Soon,
wild claims about Dominion appeared elsewhere on Fox,
including references to the election company’s
supposed (but imagined) ties to the Smartmatic election
software company; Hugo Chávez, the Venezuelan
dictator who died in 2013; George Soros, the billionaire
investor and Democratic donor; and China.
‘Fox
News did its job, and this is what the First Amendment
protects. I’m not at all concerned about such
lawsuits, real or imagined.’
Fox’s
chief legal officer Viet Dinh
On
November 12, a Dominion spokesperson complained to
Fox News Media chief executive Suzanne Scott and Fox
News Media executive editor Jay Wallace, begging them
to make it stop. “We really weren’t thinking
about building a litigation record as much as we were
trying to stop the bleeding,” said Thomas A.
Clare, one of Dominion’s lawyers.
As
Fox noted in its court papers, its hosts did begin
including company denials. But as they continued to
give oxygen to the false allegations, Dominion sent
a letter to Fox News general counsel Lily Fu Claffee,
demanding that Fox cease and correct the record. “Dominion
is prepared to do what is necessary to protect its
reputation and the safety of its employees,”
the letter warned.
Fox,
however, did not respond to the Dominion letter or
comply with its requests — now a key issue in
a shareholder suit filed in April, which maintains
that doing so would have “materially mitigated”
Fox’s legal exposure.
Three
months after the election, another voting technology
company tied to the Dominion conspiracy, Smartmatic,
filed its own defamation suit against Fox, seeking
$US2.7 billion in damages. Dominion told reporters
that it was preparing to file one, too.
Dinh
was publicly dismissive.
“The
newsworthy nature of the contested presidential election
deserved full and fair coverage from all journalists.
Fox News did its job, and this is what the First Amendment
protects,” Dinh said at the time. “I’m
not at all concerned about such lawsuits, real or
imagined.”
The
Fox legal team based much of the defence on a doctrine
known as the neutral reportage privilege. It holds
that news organisations cannot be held financially
liable for damages when reporting on false allegations
made by major public figures as long as they don’t
embrace or endorse them.
An
early warning came in late 2021. The judge in the
case, Eric M. Davis, rejected Fox’s attempt to
use the neutral reportage defence to get the suit
thrown out, determining that it was not recognised
under New York law, which he was applying to the case.
Even if it was recognised, Fox would have to show
it reported on the allegations “accurately and
dispassionately”, and Dominion had made a strong
argument that Fox’s reporting was neither, the
judge wrote in a ruling.
That
ruling meant that Dominion could have access to Fox’s
internal communications in discovery.
That
was a natural time to settle. But Fox stuck with its
defence and its plan.
Treasure
trove
At
nearly every step, the court overruled Fox’s
attempts to limit Dominion’s access to private
communications exchanged among hosts, producers and
executives. The biggest blow came mid-last year, after
a ruling stating that Dominion could review messages
from the personal phones of Fox employees, including
both Murdochs.
The
result was a treasure trove of evidence for Dominion:
text messages and emails that revealed the doubts
that Rupert Murdoch had about the coverage airing
on his network, and assertions by many inside Fox,
including Carlson, that fraud could not have made
a material difference in the election.
The
messages led to even more damaging revelations during
depositions. After Dominion’s lawyers confronted
Rupert Murdoch with his own messages showing he knew
Trump’s stolen election claims were false, he
admitted that some Fox hosts appeared to have endorsed
stolen election claims.
During
Carlson’s deposition last year, Dominion’s
lawyers asked about his use of a crude word to describe
women — including a ranking Fox executive. They
also mentioned a text in which he discussed watching
a group of men, who he said were Trump supporters,
attack “an Antifa kid”. He lamented in the
text, “It’s not how white men fight,”
and shared a momentary wish that the group would kill
the person. He then said he regretted that instinct.
There
is no indication that Carlson’s texts tripped
alarms at the top of Fox at that point.
The
alarms rang in February, when reams of other internal
Fox communications became public. The public’s
reaction was so negative that some people at the company
believed that a jury could award Dominion more than
$US1 billion. Yet the company made no serious bid
to settle.
All
along, the Fox board had been taking a wait-and-see
approach.
But
the judge’s pretrial decisions began to change
the board’s thinking. Also, in those final days
before the trial, Fox was hit with new lawsuits. One,
from former Fox producer Abby Grossberg, accused Carlson
of promoting a hostile work environment. Another,
filed by a shareholder, accused the Murdochs and several
directors of failing to stop the practices that made
Fox vulnerable to legal claims.
The
weekend before the trial was to begin, the board asked
Fox to see the internal Fox communications that were
not yet public but that could still come out in the
courtroom.
The
board learned for the first time of the Carlson text
that referred to “how white men fight”.
Dinh did not know about the message until that weekend,
according to two people familiar with the matter.
By
the time the board learned of the message, the Murdochs
had already determined that a trial loss could be
far more damaging than they were initially told to
expect. A substantial jury award could weigh on the
company’s stock for years as the appeals process
played out.
“The
distraction to our company, the distraction to our
growth plans — our management — would have
been extraordinarily costly, which is why we decided
to settle,” Lachlan Murdoch said at an investment
conference this month.
The
text also helped lead to the Murdochs’ decision
to abruptly pull Carlson off the air. Their view had
hardened that their top-rated star wasn’t worth
all the downsides he brought with him.
Still
pending is the Smartmatic suit. In April, Fox agreed
to hand over additional internal documents relating
to several executives, including the Murdochs and
Dinh. In a statement reminiscent of Dinh’s early
view of the Dominion case, the network said that Fox
was protected by the First Amendment.
“We
will be ready to defend this case surrounding extremely
newsworthy events when it goes to trial, likely in
2025,” the statement said.
News
Lachlan
Murdoch explains $1.2b settlement, says Fox News won’t
change ‘successful strategy’ - 10th May
2023
Fox
News paid $US787 million ($1.16 billion) to settle
a recent lawsuit on its reporting after the 2020 election
to avoid a divisive trial and lengthy appeals process,
its parent company’s chief executive said.
Lachlan
Murdoch, executive chairman and CEO of Fox Corp.,
also noted that a Delaware judge “severely limited”
Fox’s defences against Dominion Voting Systems,
which said the network defamed it by airing bogus
charges of election fraud that it knew was untrue.
Fox
Corp announced that it had lost $US50 million the
previous three months, which it attributed to the
lawsuit settlement. Murdoch, who answered questions
from financial analysts, was speaking in public for
the first time since the case ended and Fox fired
its most popular anchor, Tucker Carlson. Carlson has
just announced he is launching a new show on Twitter.
Murdoch
said viewers, and investors, should expect no change
in direction from Fox News.
“We
made the business decision to resolve this dispute
and avoid the acrimony of a divisive trial and multi-year
appeal process, a decision clearly in the best interests
of the company and its shareholders,” he said.
Fox
still believes it was properly exercising its First
Amendment rights to report on newsworthy fraud allegations
made by former President Donald Trump, even though
that defence was shot down in a pre-trial court ruling
in the Dominion case, Murdoch said.
That’s
important, since Murdoch said Fox intends to use the
same defence against a similar lawsuit by another
elections technology company, Smartmatic. That case
is not expected to go to trial until at least 2025,
he said.
Despite
being asked directly about Carlson’s exit, Murdoch
didn’t mention the former prime-time host’s
name and referred to his reign obliquely. Fox has
not explained why it cut ties with Carlson.
“There’s
no change in programming strategy at Fox News,”
he said. “It’s obviously a successful strategy.
As always, we are adjusting our programming and our
lineup and that’s what we continue to do.”
Although
hurt by the Carlson exit, Fox News remains the leading
cable news network.
Fox
has lost viewers following Carlson’s firing.
Last week’s substitute host, Lawrence Jones,
reached between 1.28 million and 1.7 million last
week in a time slot where Carlson usually drew around
3 million, the Nielsen company said.
Yet
Fox has gained more than 40 new advertisers in that
hour, the network said, confirming a report in Variety.
Advertisers like Gillette, Scott’s Miracle Gro
and Secret deodorant that had considered Carlson’s
show a toxic environment have signed on.
(AP)
News
Jesse
Armstrong on the roots of Succession: ‘Would
it have landed the same way without the mad bum-rush
of Trump’s presidency?’ - 27th May 2023
It
has been the TV drama of our time – a brutal,
hilarious unpicking of how power works. As the series
comes to an end, its creator looks back at its origin
and the unholy trinity of men who helped inspire Logan
Roy
My
first vivid memory of the project that would develop
into Succession was trying to get out of it. It was
about 2008 and I was on location for the filming of
Peep Show, the UK sitcom my longtime writing partner
Sam Bain and I wrote together. Between that show and
my work on The Thick of It and In the Loop, and a
bunch of other things, I was feeling overcommitted.
That particular day we were pretending a very normal
field in Hertfordshire was a safari park. I sloped
off from set and, hiding from imaginary lions, tried
to elegantly step away from the project.
I
failed. And in the following months as I wrote, slowly,
I became certain the script was a dud. It was stodgy
and odd. The original idea, a faux-documentary laying
out Rupert Murdoch’s business secrets, with them
delivered straight to camera, evolved as I worked
into a sort of TV play, set at the media owner’s
80th birthday party. Channel 4 were supportive, but
it was an odd form, this docudrama/TV-play, and difficult
to make happen. Around 2011, after a read-through
in London where John Hurt played Rupert, the project
essentially died.
My
US agent was the first person I recall suggesting
a totally different approach. A fictional family,
a multi-series US show. For five years or so, I dismissed
the idea, certain that a portrayal of a fictional
family would never have the power of a real one. Four
works changed my mind: HBO’s excellent Robert
Durst documentary, The Jinx; Sumner Redstone’s
grimly business-focused autobiography, A Passion to
Win; James B Stewart’s propulsive DisneyWar;
and Tom Bower’s fascinating Robert Maxwell biography
Maxwell: The Final Verdict. These turned the idea
of doing a media-family drama without a singular real-life
model from a terrible betrayal of reality into a tantalising
chance to harvest all the best stories. Here was an
opportunity to explore all the most fascinating family
dynamics within a propitiously balanced fictional
hybrid media conglomerate. I took a long, deep dive
into rich-family and media-business research.
I
talked about this, as-yet-unwritten, idea in half-ironised
terms as ‘Festen-meets-Dallas’
When
Sam and I decided to bring things to a close on Peep
Show, I flew out to pitch this media show around LA.
I had a clear idea of where I wanted to develop it,
but my agent persuaded me appetites would be whetted
if we had a number of potential homes. So I spent
three days doing a round of pitch meetings where I
talked about this as-yet-unwritten idea in half-ironised
terms as “Festen-meets-Dallas”. No stars,
Dogme 95 camerawork. Scared of driving on the five-lane
highways, I bumped around town in the back of a Honda
Civic while a nice young man from my US agent’s
mailroom ferried me between rooms stocked with identical
tiny bottles of water and executives of vastly varying
degrees of interest.
Eventually,
I got to HBO, the place I most wanted the show to
land, home to The Sopranos and Six Feet Under. I knew
they might be receptive. Frank Rich – once known
as the “Butcher of Broadway” for his theatre
criticism, but now an in-house consigliere –
had championed my work there to the boss, Richard
Plepler, and I’d previously developed a show
with them. So, out the back of a French-style bistro
on a three-cappuccino high, I pitched it to their
head of drama and comedy, Casey Bloys.
Sometimes
a pitch stretches thin and threadbare, the fabric
renting as you go, the other party peeping grimly
through the holes. Other times, the air thickens,
and you can feel the atmosphere in the room turn oxygen-rich
as the enthusiasm you are trying to project transforms
into an enthusiasm you are actually feeling.
By
the time I left LA, HBO had made an offer and Adam
McKay, fresh from The Big Short, had said he would
be interested in directing. I’d written another
Succession forerunner, a script about the US political
strategist Lee Atwater, for Adam and his producing
partner Kevin Messick. It had been one of the few
LA experiences I’d had where the excitement expressed
at the start of the project sustained through the
writing and attempts to get it made.
This
was 2016 and, once back in the UK, I wrote the pilot
through the spring and summer in a one-room flat I
rented on Brixton Hill, south London, walking across
Brockwell Park each morning, listening to podcasts
and reading news about the Brexit referendum. Scotland
had recently voted by a narrow majority to stay inside
the UK and the abiding sense right before the Brexit
vote was, yeah, change looms, it glistens, menacingly,
promisingly, but it doesn’t happen. Not really.
Really, everything stays the same.
But
then it did happen. And across the Atlantic, the Trump
campaign was igniting – even if initially his
candidacy felt like a slightly amusing, slightly too-vivid
flash in the pan. Into early autumn, in fact, all
serious people were still explaining to one another
that Trump couldn’t happen. Although I suppose,
looking back, there was a notable lack of detail in
terms of the mechanism by which he would be stopped.
I
think a lot of the better films and TV shows I’ve
been involved with have at their heart a quite simple
impulse around which the more subtle layers are spun.
In the Loop’s spark was anger at the Iraq war.
Chris Morris’s Four Lions I think was driven
by his gut feeling that something was very wrong with
the way we understood jihadi terrorism in the UK.
Peep Show was about oddball male friendship, perhaps
even “masculinity”.
I
guess the simple things at the heart of Succession
ended up being Brexit and Trump. The way the UK press
had primed the EU debate for decades. The way the
US media’s conservative outriders prepared the
way for Trump, hovered at the brink of support and
then dived in. The British press of Rothermere, Maxwell,
Murdoch and the Barclay brothers, and the US news
environment of Fox and Breitbart.
The
Sun doesn’t run the UK, nor does Fox entirely
set the media agenda in the US, but it was hard not
to feel, at the time the show was coming together,
the particular impact of one man, of one family, on
the lives of so many. Rightwing populism was on the
march across the globe. But in the fine margins of
the Brexit vote and Trump’s eventual electoral
college victory, one couldn’t help but think
about the influence of the years of anti-EU stories
and comment in the UK press, the years of Fox dancing
with its audience, sometimes leading, sometimes following,
as the wine got stronger, the music madder. It was
politically alarming and creatively appealing: to
imagine the mixture of business imperatives and political
instinct that exist within a media operation; to consider
what happens when something as important as the flow
of information in a democracy hits the reductive brutality
of the profit calculation inside such a company. How
those elements might rebound emotionally and psychologically
inside a family as it considered the question of corporate
succession.
For
Logan Roy, Murdoch, Redstone and Maxwell were my holy
trinity of models. But Conrad Black, Brian L Roberts
of Comcast, Robert Mercer of Breitbart, Julian Sinclair
Smith of Sinclair, Tiny Rowland, Rothermere, Beaverbrook
and Hearst all fed in. The three central models were
wildly different, of course: the self-made refugee
Maxwell and the already-rich Murdoch, a scion of Australian
journalistic royalty, both so different from the tough
Boston lawyer Redstone who started with a couple of
his father’s drive-in cinemas.
But
they were connected by a strong interest in a few
things: a refusal to think about mortality (Redstone
and Murdoch both used to make the same joke about
their succession plan: not dying); desire for control;
manic deal-making energy; love of gossip and power-connection;
a certain ruthlessness about hirings and firings.
And most of all, an instinct for forward motion, with
a notable lack of introspection.
Perhaps
the best part of Redstone’s autobiography for
a casual reader is the opening, where he recounts
clinging by one hand to a hotel balcony through a
fire. Despite suffering third-degree burns over half
his body, years of rehabilitation, excruciatingly
painful skin grafts, he says this event, after which
he made all his biggest business plays, had no impact
whatsoever on the trajectory of his life.
Whether
due to all this grist, or the aligning of the political
planets (in)auspiciously, the pilot came unnervingly
easily. Getting names in a script to feel real can
be hard for me – they’re a tell-tale sign
of whether I’m living inside it. Kendall, Shiv,
Roman, Connor. They all felt right straight off the
bat. Their inspirations, I suppose, were the children
of these magnates: three of the Maxwell kids, the
ones closest to the business (the boys, Ian and Kevin)
and to their father (Ghislaine). Brent and Shari Redstone,
with whom Sumner played a tough and complicated game
of bait-and-switch over CBS-Paramount succession.
And the Murdoch children, Prudence, Lachlan, James,
Elisabeth, Chloe and Grace.
But
getting those names for the Roy children made them
feel like their own individuals to me. It allowed
me to pour in just what I wanted from the real world,
fill each with all the faults they might have inherited,
while giving me room to add some extra, just for them.
Greg
and Tom came fast, too. Tom from two roots. One was
thinking about the sort of lunks I’ve occasionally
seen powerful women choose as partners. Plausible,
manly men with big watches and a soothing affable
manner. That mixed with the deadly courtier, a more
18th-century figure, minutely attuned to shifts in
power and influence, an invisible deadly gas that
occurs in certain confined places and rises to kill
anyone unwise enough not to take precautions. A hanger-on
sustained by some Fitzgeraldian illusions about the
world, a sense that perhaps the rich really are different
from us and a romantic ambition to make it in New
York City.
Greg,
I guess, was a distant relative of the sort of political
adviser I had myself briefly been. Gormless, clueless,
out of place and gauche. But not without an eye for
a deal. And, I hope, a little more wheedling and insinuating
than I ever was.
The
scenes flowed. I put all research aside and followed
my nose and wrote pretty much exactly what I wanted
The
charge between these two semi-outsiders struck me
from the start as toxic and comic. Tom, the interloper,
is like an organism that has found a precarious but
rewarding perch above some deep oceanic vent and adapted
itself to conditions perfectly. He is not pleased
at all to see a similar creature scuttling along hoping
to share the same cramped evolutionary niche. That
first half-bullying, half-provocative exchange they
share in the outfield at a softball game in the pilot
landed them right in the middle of a stew they’ve
been cooking in ever since.
The
scenes flowed. I had eaten a very large amount of
research, but once I was writing I put it all aside
and followed my nose and wrote pretty much exactly
what I wanted. It felt funny but odd and broken-ended,
fragmentary, abrupt, oblique and slightly brutal.
When I emailed it off, I had the familiar feeling
that Adam, Frank and HBO might email back to say not
only was it not good, it wasn’t even actually,
technically, a script. But their response was frighteningly
positive. Almost as though the script was finished,
after what was, I thought, a quick first draft. I
think every other episode of Succession has gone to
at least 30 drafts – usually 50. The pilot barely
hit 15.
We
had our read-through in New York on US election day
2016. Before we started, I made the sort of joke lots
of people made that day, assuming the polls were right
and Hillary Clinton was going to squeeze it. That
night we gathered in Adam McKay’s apartment to
watch the results roll in. Much later, I walked a
long walk back from Soho to where I was staying near
the United Nations looking at the electoral college
numbers projected on to the Empire State Building.
We
started filming the next day.
I
still wonder whether Succession would have landed
in the same way without the mad bum-rush of news and
sensation Trump’s chaotic presidency provided.
Trump wasn’t the firebombing of German civilians,
and nor is Succession Slaughterhouse-Five, but I do
sometimes think about Vonnegut saying no one in the
world profited from the firebombing of Dresden, except
himself.
This
is an edited extract from Succession: The Complete
Scripts – Seasons One, Two and Three (Faber &
Faber), out now at £20 each. To support the
Guardian and Observer, order your copies for £17.60
each from guardianbookshop.com.
The
final episode of Succession airs in the UK on Sky
Atlantic/Now on Monday. Jesse Armstrong donated the
fee for this article to the Writers Guild of America
strike assistance fund.
News
LIV
Golf announces new pay-per-view option - 26th May
2023
"The
hope for LIV is to grow off the success first seen
on YouTube in 2022, where the league attracted tournament
audiences of several hundred-thousand views in the
U.S. and abroad."
Going
forward, LIV Golf Series events will be available
via a pay-per-view option on YouTube.
The
new deal was detailed by James Colgan of Golf.com.
“Less
than six months after signing a media rights agreement
with the CW, LIV announced Friday that it has created
a new, pay-per-view broadcast option to run on YouTube,”
Colgan reported. “The PPV broadcast will cost
$3 per tournament day, LIV said in a release announcing
the decision, and will run in addition to the league’s
agreement with the CW.”
Colgan
also detailed that “A LIV source indicated that
the CW is aware of the decision to introduce a pay-per-view
model, and that the decision does not violate any
of the league’s preexisting broadcast agreements.”
“The
hope for LIV is to grow off the success first seen
on YouTube in 2022, where the league attracted tournament
audiences of several hundred-thousand views in the
U.S. and abroad. The league already has its own direct-to-consumer
subscription platform, LIV Golf Plus, which the PPV
channel will run counter to. LIV broadcasts will continue
to be streamed for free on the CW app.”
This
announcement comes less than two weeks after a rather
embarrassing moment for the tour. One week before
LIV’s Brooks Koepka triumphed at the PGA Championship,
the Saudi-backed golf series was in Tulsa.
On
one hand, it was a perfect showcase event for LIV.
Two of its most high-profile players, Dustin Johnson
and Cam Smith, went to a three-way playoff (along
with Branden Grace). But most of the people watching
did not get to see Johnson’s eventual triumph.
The
CW, the league’s primary broadcast partner, went
away from coverage in the vast majority of its markets,
showing “regularly scheduled programming.”
Jim Nantz was quick to make a joke at LIV’s expense
on the matter at the PGA Championship. The CW also
announced a change, saying that all events will be
shown to their conclusions going forward.
[Golf.com]
News
WWE
Night Of Champions Reportedly Earned Highest Viewership
Of Any Saudi Arabia Show - 31st May 2023
According
to a report from Fightful Select, Saturday's Night
of Champions PLE scored WWE the highest viewership
out of any of the company's Saudi Arabia events since
the partnership between the two began in 2013. The
report states that Night of Champions brought in an
18% increase in viewership compared to last year's
Crown Jewel event, and the company is reportedly quite
happy with its holiday weekend results.
Night
of Champions was headlined by Kevin Owens and Sami
Zayn successfully defending the Undisputed WWE Tag
Team Championship against Roman Reigns and Solo Sikoa
of The Bloodline, with a major angle taking place
on the show that saw The Usos turn on Reigns after
more than a year of build-up and tension.This marks
the second time a tag team match has served as the
main event of a major WWE show in recent months. Additional
matches on the show included Seth Rollins vs. AJ Styles
to decide the first WWE World Heavyweight Champion,
a singles match between Becky Lynch and Trish Stratus,
and a Backlash rematch pitting Brock Lesnar against
Cody Rhodes, among others.
To
date, WWE has held nine PPVs and PLEs in Saudi Arabia,
along with three house shows. Back in 2019, WWE announced
that they had "expanded their partnership"
with Saudi Arabia, and that they would be hosting
two major events per year in the Middle Eastern nation
through at least 2027. Though it hasn't been announced
yet, WWE will likely return to Saudi Arabia for another
Crown Jewel event later this year.
News
Pat
McAfee Comments On Empty Seats At AEW Double Or Nothing
- 31st May 2023
All
Elite Wrestling's Double or Nothing pay-per-view took
place this past weekend at the T-Mobile Arena in Las
Vegas, Nevada. During the event, Wrestlenomics' Brandon
Thurston tweeted images of empty seats inside the
venue. Wrestling Observer's Bryan Alvarez also posted
a photo from his ringside position, which showed many
unoccupied places behind Orange Cassidy after he retained
the AEW International Championship in a Blackjack
Battle Royal. Former "WWE SmackDown" commentator
Pat McAfee has weighed in with his thoughts.
"Anytime
you get a shot away from hard cam, you know what I
mean, you can really see a lot of things," McAfee
said on "The Pat McAfee Show." "AEW
found out this weekend or whatever at one of their
events, it's like three quarters of an arena completely
empty. They don't want that photo out anywhere."
Ahead
of the pay-per-view going live on Sunday night, WrestleTix
revealed 10,229 tickets had been distributed for an
11,641 setup inside the T-Mobile Arena, leaving 1,412
tickets available. An Anarchy in the Arena match headlined
the show, with Blackpool Combat Club's Bryan Danielson,
Jon Moxley, reigning ROH World Champion Claudio Castagnoli,
and Wheeler Yuta picking up the win in that bout against
The Elite's Kenny Omega, Matt Jackson, Nick Jackson,
and "Hangman" Adam Page.
AEW's
next major standalone show, All In, which will take
place on August 27 at Wembley Stadium in London, England,
has currently sold over 65,000 tickets and has a gate
of over $8 million. No matches have been announced
for AEW's first event across the pond as of this writing.
Ticket sales for All In have slowed following an initial
surge.
News
WWE-UFC
merged company to be called ‘TKO Group Holdings’
- 16th May 2023
A
name has emerged for the group.
Coming
out of WrestleMania, it was announced by Endeavor
that an agreement had been reached with WWE and the
company would be merging with UFC to form a new sports
and entertainment company.
The
deal has not been formally finalized but a name for
the merged group has been revealed. CNBC’s Alex
Sherman and Mike Calia published a story and an Endeavor
spokesperson confirmed to the outlet that the new
group is going to be called ‘TKO Group Holdings’.
It
will trade under the New York Stock Exchange as ‘TKO’.
The
merger between WWE and UFC is being valued at $20
billion. Endeavor CEO Ari Emanuel will be the CEO
of TKO Group and Vince McMahon is going to serve as
Executive Chairman.
News
Nick
Khan Says WWE In Talks With International Cities For
2024 PLEs
It
sounds as though WWE will continue expanding its PLEs
into international markets next year. Speaking at
the JP Morgan Global Technology, Media & Communications
Conference, WWE CEO Nick Khan stated that the company
was discussing the potential for additional overseas
shows in 2024.
"We're
in conversations now with a lot of international cities
about doing 2024 shows there," Khan said. "Also,
part of the intent is to match those up with our media
rights, even if they're not up to over-deliver for
incumbent partners who can then invite their partners
in the international city to the event, and host them.
It's good for our overall business." Khan's comments
came as part of a conversation about countries offering
subsidies to WWE for bringing shows there, as the
company brings a great deal of revenue to the city
for major events. Khan cited recent events in Puerto
Rico as well as the Dallas, Texas area as examples.
Previous
rumors pointed toward Australia as a potential location
for a future international WWE PLE. However, it's
unknown if negotiations with the country have progressed
in the months since.
WWE
has steadily ramped up its major international shows
over the last five years, with the company holding
several yearly events in Saudi Arabia, as well as
last year's Clash at the Castle and the upcoming Money
in the Bank both being held in the United Kingdom.
It seems fans around the world should stay on the
lookout for upcoming announcements regarding WWE's
international schedule in 2024.
News
“We
Let People Go”: Months After $21.4 Billion UFC-WWE
Deal, Endeavor CEO Recalls “Horrible” Time
for Organization - 2nd June 2023
The
year 2020 brought unprecedented challenges for individuals
and organizations alike, and the UFC was no exception.
The promotional frontman Dana White has reflected
on those uncertain times and shared the struggles
the organization faced in keeping things going. Despite
the pandemic, White was determined to keep the show
running and provide entertainment for fight fans worldwide.
While the rest of the world was shut down, the UFC
managed to organize consistent events, albeit on a
smaller scale. However, this arduous journey was not
without its fair share of hardships.
Ari
Emanuel, the CEO of Endeavor, the parent company of
the UFC and William Morris Endeavor talent agency,
revealed the significant challenges they encountered
during the COVID-19 pandemic. Even though Endeavor
recently secured a massive $21.4 billion deal to acquire
the WWE, during the COVID-19 days, the company found
itself at rock bottom struggling to stay afloat.
When
Covid-19 posed a threat to the UFC
In
an interview on the “Freakonomics Radio”
podcast, Emanuel shared how the pandemic affected
the company financially. During the interview, podcast
host Stephen Dubner asked Emanuel, “Did you think
COVID might kill Endeavor?”. Reflecting on this,
the 62-year-old CEO replied, “It was bad,”
He continued, “I’d never had to fire that
many people.”
Emanuel
mentioned that the continuation of UFC fights during
the pandemic played a crucial role in saving the company,
accounting for approximately 70% of their revenue
that year. Further talking about the struggles to
keep the organization alive during the pandemic, the
Endeavor CEO stated, “We had our ESPN deal. We
then started making deals for writers. So we stored
all the cash. We didn’t let anything out. We
let people go, which was horrible, or furloughed them.”
Through
the storm, Endeavor’s leadership team, led by
Emanuel, proved to be the lighthouse that guided them
to safer shores. The UFC’s resilience and the
implementation of innovative strategies, such as the
‘Fight Island’ events, not only salvaged
the company but also became a beacon of hope for other
professional sports leagues.
News
“Very,
Very Easy for Jon Jones”: Ex-UFC Star Ruthlessly
Shuts Down Tyson Fury Days After Boxer’s Callout
of UFC Champ in Ugly Public Feud - 1st June 2023
The
claim made by Joe Rogan that Tyson Fury would stand
no chance against Jon Jones has sparked an intense
and never-ending debate. Recently, another prominent
figure from the UFC, the world of mixed martial arts,
has jumped into this heated discussion. However, ‘The
Gypsy King’ himself strongly opposed the take
of the UFC commentator and didn’t hold back in
expressing his views. In fact, he went as far as bashing
Rogan and proudly proclaimed himself to be ‘the
baddest man on the planet’.
As
the back and forth continued between Fury and Rogan,
UFC president Dana White has stepped in, proposing
a potential fight between Fury and Jones. However,
the WBC heavyweight champion firmly refused to step
into the octagon, dismissing the idea altogether.
This decision faced an immediate backlash from fans
who had eagerly anticipated the materialization of
this debate inside the fighting arena.
Despite
the disappointment felt by fans, it becomes evident
that the 34-year-old boxer has no intention of venturing
into the octagon. On the contrary, a former UFC welterweight
challenger believes that Fury would fare well in the
realm of mixed martial arts. However, he warns that
there may be unforeseen challenges along the way.
Tyson
Fury will have a Jon Jones threat in MMA
During
a recent interview, the former UFC fighter Dan Hardy
shared his reflections on the latest happenings in
the combat sports world, ranging from boxing to MMA.
However, it was the Tyson Fury-Jon Jones debate that
took center stage.
The
41-year-old Hardy began by heaping praise on ‘The
Gypsy King’ for his potential in MMA, stating,
“Tyson Fury doesn’t come from a boxing background.
He comes from a fighting man background. Tyson Fury
sees himself as a fighter first that boxes, and I
think he looks at mixed martial arts and sees lots
of ways he can capitalize on the changing of the rules.”
Continuing
his analysis, Hardy mentioned Fury’s collaboration
with Tom Aspinall and how he has showcased proficient
elbows and knees in the videos shared with him. ‘The
Outlaw’ confidently stated, “I feel like
Tyson Fury would be really good if he crossed over
to mixed martial arts. Of course, there’d be
a lot for him to learn. The main issue would be, he’d
be very, very easy for Jon Jones to take down. And
I think that’s something that Tyson has not experienced
and has not and has not really quite comprehended.”
Meanwhile,
Jon Jones recently made a strong statement in his
heavyweight debut, securing a first-round victory
against Ciryl Gane at UFC 285 after returning from
a three-year-long hiatus.
This
certainly explains Dan Hardy’s warning to Tyson
Fury. How do you think ‘The Gypsy King’
would fare in MMA?
News
Dwayne
Johnson to Return as Luke Hobbs in New ‘Fast
and Furious’ Standalone Film - 7th June 2023
Dwayne
Johnson is returning to the “Fast and Furious”
universe with a new standalone film, reprising his
franchise role as Luke Hobbs.
Universal
Pictures announced the project on Thursday. Longtime
“Fast and Furious” collaborator Chris Morgan
wrote the untitled film’s script. Plot details
were not available, though individuals familiar with
the deal said the new movie will bridge between the
events of the just-released “Fast X” and
the upcoming “Fast X: Part II,” which is
expected in 2025. Johnson just appeared as Hobbs,
a diplomatic security service agent, in a credits
scene for “Fast X.”
Johnson
will produce the film with Dany Garcia and Hiram Garcia
for their Seven Bucks Productions, along with Vin
Diesel and Samantha Vincent via their One Race Films.
Additional producers include Chris Morgan for his
Chris Morgan Productions, Jeff Kirschenbaum for Roth/Kirschenbaum
Films and Neal Moritz for Original Film.
Screenwriter
Morgan wrote and produced “Fast and Furious Presents:
Hobbs & Shaw” and “The Fate of the Furious.”
He’s also scripted and executive produced the
fifth, sixth and seventh entries in the franchise.
Directed by Louis Leterrier, “Fast X” opened
at No. 1 around the world in May with $320 million
and became the second-biggest global opening of 2023.
Johnson
announced Hobbs’ return with a video posted to
social media with the caption: “Your reactions
around the world to Hobbs’ return in ‘Fast
X’ have blown us away. The next ‘Fast &
Furious’ film you’ll see the legendary lawman
in will be the Hobbs movie that will serve as a fresh,
new chapter & set up for ‘Fast X: Part II.'”
“Last
summer Vin Diesel and I put all the past behind us,”
Johnson added. “We’ll lead with brotherhood
and resolve – and always take care of the franchise,
characters & fans that we love. I’ve built
my career on an ‘audience first’ mentality
and that will always serve as my north star.”
Johnson
is repped by WME, lawyers Gang, Tyre, Ramer, Brown
& Passman, Inc. and The Lede Company.
Seven
Bucks has co-produced films like Disney’s “Jungle
Cruise” and the DC Studios entires “Black
Adam” and “DC League of Super-Pets.”
Original series include NBC’s “Young Rock”
and “The Titan Games.” Johnson will next
produce and star in “Red One” at Amazon
Studios and Disney’s live-action “Moana.”
News
13
States Comment On Possibility Of Allowing Gambling
On WWE Matches
In
March 2023, CNBC reported that WWE was working toward
legalizing gambling on wrestling matches, enlisting
the services of accounting firm Ernst & Young,
with Michigan, Colorado, and Indiana mentioned as
the initial targets. As of now, betting on WWE matches
is only available at offshore sportsbooks like BetOnline.ag,
based out of Antigua, and Bovada, based out of Latvia.
Betting on matches in America would open up new streams
of revenue for WWE and add some mainstream legitimacy
to the sports entertainment powerhouse.
Since
that report broke, however, it's been nothing bad
news for WWE in the gambling department. Dave Meltzer
has reported that WWE's efforts aren't going well
— Colorado denied talking to WWE and said that
"By statute, wagers on events with fixed or predicted
outcomes ... are strictly prohibited in Colorado."
Indiana told Casino.org that it had "no interest
in approving wagering on scripted events," and
Michigan also denied any recent talks with WWE, while
New Hampshire Lottery Commission executive director
Charlie McIntyre deemed it "very unlikely"
betting on WWE gets approved in New Hampshire.
In
light of this, Wrestling Inc. reached out to multiple
states about the possibility of legalized betting
on WWE matches. Each gambling commission was asked
1) how likely WWE would be to succeed if they pitched
gambling on matches to them, and 2) if there were
any regulations, laws, or statutes that barred betting
on something with predetermined outcomes. 13 states
-– Arizona, Connecticut, Iowa, Maine, Maryland,
Massachusetts, Montana, New Jersey, New Mexico, Ohio,
Oregon, South Dakota, and Washington -– responded.
While their responses varied slightly, overall, they
paint a picture of increasingly fewer opportunities,
and increasingly more obstacles, for legal gambling
on WWE matches to get approved.
At
least three states say they wouldn't allow gambling
on WWE as a matter of policy, even if there are no
explicit laws against it.
Kerry
Hemphill, Manager of Sports Betting Product at the
Oregon Lottery, made it clear that gambling on WWE
wouldn't be allowed as a matter of policy in the Beaver
State: "Although there is no law or statute that
forbids it, Oregon Lottery sports betting policy is
to not accept wagers on scripted events with predicted
outcomes."
Seth
Elkin, Assistant Director of Communications for Public
Affairs for Maryland Lottery and Gaming, also told
us his state had made a determination on the matter.
"Maryland's sports wagering law and regulations
prohibit forms of wagering that are contrary to public
policy or unfair to bettors," he said. "We've
determined that it is unfair to bettors, and therefore
not in the public's interest, to accept wagers on
sports entertainment events that have predetermined
outcomes, like professional wrestling."
Meanwhile,
a representative from the South Dakota Department
of Revenue simply said, "WWE wrestling matches
would not be eligible for sports wagering in South
Dakota."
Iowa
and Ohio say no to betting on predetermined events
Two
more states said that predetermined events weren't
permitted, but made a point to highlight policy and
procedure. Brian J. Ohorilko, Administrator of the
Iowa Racing and Gaming Commission, also shot down
gambling on wrestling for the time being.
"Predetermined
events are not permitted in the State of Iowa,"
he told Wrestling Inc. "Iowa law defines and
permits professional sporting events and sports-related
events; however, fixed or predetermined outcomes are
not explicitly permitted. As such, and for other integrity
concerns, the commission has not permitted predetermined
events in any of the approved wagering markets."
Ohorilko
also brought up the process that would be required
for any kind of legalization: "From a practical
standpoint, any request would need to come with a
legal opinion as to how this would be permitted under
Iowa law," he said. "It would need to go
through legal review with consultation from the AG
office. If legal review passes, the commission would
still need to review policy and integrity concerns
with respect to the activity having predetermined
outcomes. Approval would be needed before this type
of wagering activity could take place."
Ohio
tells a similar story. Jessica Franks, Director of
Communications for the Ohio Casino Control Commission,
pointed us towards Rule 3775-11-01 of the Ohio Administrative
Code — the process for adding to Ohio's catalog
of wagers and events. She said the Commission's review
of such requests includes, but is not limited to,
the following criteria:
The
quality of the governing body's documented integrity
program.
The
general availability of information related to the
governing body.
The
professional or skill level status of athletes.
The
history of integrity related to events sanctioned
by the governing body.
This
already puts the WWE in shaky territory, but it's
seemingly locked out for good with the following consideration:
"Please note that the Commission will not approve
requests for wagers/events involving 'Events which
are pre-recorded or in which the outcome has been
otherwise previously determined.'"
Arizona
and Connecticut have laws against betting on fixed
outcomes
At
least two states have laws in place that would ban
gambling on WWE matches.
Max
Hartgraves, Public Information Officer at the Arizona
Department of Gaming, provided a straightforward statement:
"Arizona statute prohibits gambling on fixed
events."
Meanwhile,
when asked how likely WWE would be to garner approval
for gambling on matches, Kaitlyn Krasselt, Communications
Director at Connecticut Department of Consumer Protections,
said "I cannot speculate on that." That
said, she did inform Wrestling Inc. about state regulations
on gambling: "Connecticut law only allows wagering
on sporting or athletic events. WWE is sports entertainment.
The 'matches' are predetermined by the company and
are scripted. There is no regulation body for professional
wrestling, and WWE is one of several companies that
offers this type of entertainment. With a predetermined
outcome, this would not be considered a sport. It
is considered entertainment. Wagering on the Oscars,
for example, is also not permitted in Connecticut."
That
last part is significant, since CNBC's report mentioned
that WWE executives were using Oscar betting as an
example for regulators.
Maine
and Montana agree with most of their colleagues
Two
states specifically cited the statements from Colorado,
Indiana, Michigan, and New Hampshire in their responses.
After hearing that four other states had expressed
skepticism over betting on WWE, Maine Gambling Control
Unit Executive Director Milton Champion said, "On
the surface, without looking into the matter, I would
concur with my colleagues. Operators will submit with
their application events that they want to take wagers
on, and I shall approve them."
Daniel
Iverson, Content Manager for the Montana Lottery,
said something similar. "Montana does not intend
to add WWE markets, for the same reasons our counterparts
cited," he advised, before directing any questions
on state law to the Montana Department of Justice
Gambling Control Division.
New
Jersey and Massachusetts punted, for now
Two
states we contacted declined to comment on the matter,
not wanting to address issues that haven't come before
them yet. Thomas Mills, Communications Division Chief
of the Massachusetts Gaming Commission, said, "I
appreciate your question, but am unable to speculate
on a hypothetical action the Commission may or may
not take."
Dan
Prochilo, Public Information Officer at the New Jersey
Attorney General's Office, responded that "The
Division of Gaming Enforcement (DGE) cannot comment
on any hypothetical discussion with an operator or
league about future sports betting opportunities."
He added that "In New Jersey, an entity seeking
permission for a contest to be authorized for wagering
on a sports event is required to submit its proposal
to DGE for evaluation and approval pursuant to state
law and regulations."
Prochilo
also provided the state's legal definition of a "sports
event" for the purposes of gambling. Notably,
it includes the phrase "A 'sports event' shall
include any live competition or talent contest, including
awards competitions[.]"
New
Jersey and Massachusetts are two of the only states
that allow betting on the Oscars, with New Jersey
okaying it in 2019 (the first state to do so) and
Massachusetts greenlighting it in 2023. It's unknown
if WWE will approach either state or how each state
would respond, but at bare minimum, WWE's argument
to treat wrestling like the Oscars for betting purposes
might carry some weight.
Washington
and New Mexico illustrate the challenges of Tribal
gaming
Washington
is unique among the states who responded to us, in
that sports wagering is only available on Tribal lands
yet still regulated by the state. Sports wagering
was legalized, subject to terms of Tribal/State Compacts,
on Tribal lands in 2020. All wagering, even online
betting, must take place on Tribal lands, and each
casino decides bets within certain limitations. The
Angel of the Winds Casino and Resort and the ilani
Casino Resort, for example, don't 100% overlap on
sports offered for betting.
But
WWE, or any wrestling, won't be joining those offering
under current rules and regulations. Dan Wegenast,
Agent In Charge for the Tribal Gaming Unit of the
Washington State Gambling Commission, pointed Wrestling
Inc. towards the Tribal/State Compacts for sports
wagering. He also stated that "Washington State
law and the Tribal/State Compacts for sports wagering
... prohibit wagers on events with known outcomes."
To
further illustrate the complications of garnering
approval for gaming on Tribal lands, a representative
from the New Mexican Gaming Control Board told Wrestling
Inc. that sports betting is illegal in their state,
but legal with some Tribes. That said, New Mexico
does not regulate Tribal gaming, meaning that approval
would likely have to be worked out with each Tribe
individually.
There
are other obstacles, too
It's
worth noting that gambling laws are constantly changing.
Many states without gambling –- such as North
Carolina -– have spent years hammering out legislation
that would approve gambling off Tribal lands. Additionally,
for states with legalized gambling, internal policies
are not inherently laws, and can be subject to change
under the right circumstances.
That
said, even if WWE manages to get gambling on matches
approved anywhere, that's only one part of the battle:
They still need casinos and/or sportsbooks to be willing
to accept wagers at all, and there's resistance in
this field, as well, as demonstrated in subsequent
coverage from CNBC. FanDuel deems it unlikely that
they'd ever accept bets on WWE, noting that the Academy
Awards –- which held once per year -– are
vastly different than dealing with WWE's weekly programming.
Additionally, when BetCEO Adam Greenblatt was asked
if he had any interesting in accepting bets on WWE,
he responded "NFW."
Between
the overwhelming majority opinions of the 13 states
who responded to Wrestling Inc., the states that have
already responded, and the reluctance of sportsbooks
to include anything that looks less than credible,
WWE faces an increasingly uphill battle if they want
to make betting on wrestling matches legal anywhere
in the United States.
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